Post Medieval Bronze Ring with Armorial Motif

Comprising: one with an openwork D-shaped plaque, tendril and leaf detail with inset cloisons of ruby, sapphire, tourmaline and glass, penannular hoop with disc terminals, stamped 'ɅΦɅ' and other marks to the ring and shank; one with openwork triangular plaque with scrolled tendrils and central ropework star, pierced lobe finial, penannular hoop with lobe terminals, stamped lozenge to the lobe finial and others to the hoop. 20.8 grams total, 57-80 mm



Acquired 1970s. Ex property of an Essex, UK, collector.

The stones set in the D-shaped plaque are a mixture of gem cuts from several time periods, the earliest being Tudor. It is likely that they are the silversmith's accumulation from several pieces of older jewellery broken down for their metal and stones.

Each composed of a stem with wooden handle and tapering white metal stem with bulbous collar, all ornamented with repoussé floral and foliate tendrils and seraphims; the bifacial discoid heads with scalloped circumferences, each with five domed bosses and displaying seraphims and stars within pellet and bead borders; lettering to heads and collars; each mounted on a custom-made display stand. 3.45 kgs total, 64.2 cm each including base



with Boisgirard, 28 November 2013, lot 138. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.202063.

The shape and decorative scheme of these liturgical fans has existed since at least the 8th century A.D. These fans were likely crafted as souvenirs for pilgrims returning from Jerusalem, or for them to bring to Jerusalem as homage to the church. Seraphim are the highest-ranking angels in the traditional hierarchy, and as such are closest to God.

Of varying sizes and bowl depths, used for testing the quality of gold and silver. 96 grams total, 23-34 mm



Found Thames foreshore spoil, 1980s.