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LOT 2121
Post Medieval Bronze Ring Group
CIRCA 19TH CENTURY A.D.
5/8 - 1 in. (9.3 grams total, 15-25 mm).
The trio composed of different styles of finger ring, the bezels set with glass inlays, including two facetted. [3, No Reserve]
ProvenanceAcquired on the London art market, 1980s-1990s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Post Medieval Dutch Ceramic Tiles with Man
Circa 17th-18th century A.D.Sold for (Inc. bp): £104
Mauve-glazed and depicting a man playing a French horn. 470 grams total, 13 x 13 cm each
Acquired 1990s-early 2000s. East Anglian private collection. -
Post Medieval Glazed Ceramic Tile Group
17th-18th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £40
Comprising two designs in relief including three horses in an enclosure and two animals, likely cats, fighting; coloured glazes. 1.25 kg total, 9.2 x 10.2 - 9.5 x 10.2 cm
Acquired 1990s-early 2000s. East Anglian private collection. -
Ethiopian Wooden Bifacial Icon
Late 17th century A.D.Sold for (Inc. bp): £208
One side with the Crucifixion scene, Virgin Mary and Saint John weeping at the foot of the cross, the soldier Longinus piercing the side of Jesus; the other side with a diptych painted on paper representing a crowned Saint George (Bet Gorgis) and his servant Seqrates dressed like a priest, watching the miracle of the transformation of water into wine; lines of Ge'ez text in black ink on the reverse; wooden frame with closure on both sides, surmounted by a small cross. 455 grams, 25.7 cm
The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permthrin, as a precaution.
Ex Cy Lester, an antiquarian bookseller, London, UK, circa 1990. Ex central London gallery.
Among the imagery of Ethiopian equestrian saints, three main representational categories can be distinguished: 1) simple portrait of the saint armed with spear or lance and holding the reins of a horse; 2) the saint spearing an enemy; 3) the saint according to one of the aforementioned types placed in a narrative scene.
