Post Medieval Bronze Mount and Watch Key

Of fluted columnar form with the upper part formed as a lion leaping forward with its forepaws resting on the rim of the vessel; ovoid attachment plate at the lower end with mask of Venus; mounted on a custom-made stand. 243 grams total, 17 cm high (21 cm high including stand)



Acquired between 1980-1983.

Painted on board with mounting panels to the reverse, gessoed surface with central painting of the Virgin of Kazan (also called the Virgin of Tenderness) in a recess, comprising the bust of Mary and standing figure of infant Jesus, both nimbate, monograms to the upper corners; miniature figures of Saints Peter and Paul to the border; on each side of the head of the Virgin inscriptions 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ) above the child, three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); Yaroslavl School. 1.39 kg, 32 cm high

Fine condition.

Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 11544-196360.

The original icon, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.

Each expanding arm terminating to a round plaque with a Greek cross; squared integral suspension loop. 4.98 grams, 35 mm



Ex East Sussex, UK, private collection. Property of a Buckinghamshire, UK, gentleman.