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LOT 1894
Post Medieval Bronze Jetton Pendant with Lion of Saint Mark
16TH-17TH CENTURY A.D.
1 in. (5.45 grams, 26 mm).
With winged lion passant to one face, orb cruciger to the other; pierced for use as a pendant. [No Reserve]
ProvenanceFound near York, UK.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 1894
Post Medieval Bronze Jetton Pendant with Lion of Saint Mark
Sold for (Inc. bp): £7
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Framed Watercolour Painting
India, early 20th century A.D.Sold for (Inc. bp): £20
Depicting a female figure standing in a landscape with trees, water and birds, holding an instrument over her shoulder; set in a reveal within a glazed wooden frame. 559 grams, 27.5 x 20 cm
Fine condition, some worm holes.
Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art. -
Pre-Columbian Style Pottery Figure
20th century A.D.Sold for (Inc. bp): £46
Hollow-formed grotesque figure with hatched an pointillé panels to the surface. 896 grams, 16.5 cm
Acquired between the 1960s-early 1990s. From an old UK private collector from Worthing, West Sussex, UK. Property of K.P., a Cornish lady collector, UK. -
Ethiopian 'Miracle of Mary' Manuscript Leaf
Circa 1500 A.D.Sold for (Inc. bp): £1,560
Vellum leaf with pricked guidelines for placement of two columns of black-ink text in Ge'ez script with red detailing; recto with nineteen lines of text; verso with text and polychrome painted scene of figures beside a house and distribution of drink. 13 grams, 26.5 x 23.5 cm
Acquired on the New York art market, circa 2000. Ex central London gallery.
With the royal patronage for her cult given by the Gondar’s Kings, Virgin Mary's role as a maker of miracles became predominant and apocalyptic metaphors and narrative gained importance in pictorial representations, such as those in the manuscripts. Her eschatological role continued to evolve until the eighteenth century, when she was portrayed in an icon as a celestial empress.
