Post Medieval Brass Crucifix

Carved as a mature male with stern features, likely the emperor Carus, shown with short, neatly-dressed hair and beard; mounted on a custom-made display stand. 10.4 kg, 38 cm high including stand



French collection, 1960s-early 2000s. From an important Paris gallery, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11694-199338.

Carus reigned 282-283 A.D. He served as a prefect of the guard to emperor Probus, whom he succeeded. Whilst leading a campaign against the Sassanians, Carus died suddenly and under mysterious circumstances, leading to the belief that he was struck by lightning. Little is known of his life, owing to the relative instability of that time period. Whether he had Probus murdered, or whether he was killed by mutinous troops was disputed even by his contemporaries. Carus was succeeded by his sons Carinus and Numerian, although their reigns were short-lived and his dynasty was soon supplanted. Carinus’ lasting legacy was principally the suppression of the authority of the senate. He has gone down in history as one of the tyrants of ancient Rome.

Signed in the bottom right corner of the watercolour; framed and glazed with loops for suspension to the reverse. 1.65 kgs, 40.4 cm



Ex Albert Ward collection, Essex, UK.

J.W.S. Cox (1911-1982) was an American watercolourist renowned for developing the wet-on-wet painting technique. He grew up in New York, where he avidly sketched landscapes from an early age. The artist graduated from Pratt Institute NYC in 1933 and worked various jobs through the Great Depression. In 1936, he studied at the Acadamie Colarossie in Paris, and with Fauvist Othon Friesz for a short time, although later dismissed the Fauvist style as 'sloppy'. He went on to teach watercolour painting to students at Boston University, founding a studio on Bearskin Neck, Rockport, where he developed his 'sponge painting' and palette-knife techniques. He painted with an individualistic style, becoming a member of the Boston Watercolour Society. Cox shunned publicity as he believed it robbed him of painting time and turned down membership to the National Academy because he 'wouldn't play the game'. A Renaissance man, Cox spoke 12 languages with a goal to present himself 'and the soul of nature as truthfully and with as much inspiration, vitality and freshness as is possible, through the medium of watercolour'. He died of a heart attack in Florida in 1982.

Hollow-formed D-section body tapering towards a forked terminal. 3.66 kg total, 54 cm



Acquired 1990s-early 2000s. East Anglian private collection.