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LOT 1962
Post Medieval Bone China Portrait of Naser al-Din Shah Qajar
20TH CENTURY A.D.
2 1/2 in. (3 1/4 x 3 1/4 in.) (27 grams total, 64 mm high (82 x 82 mm including box)).
Painted onto bone china in polychrome and gilt, showing the ruler facing, dressed in royal attire.
ProvenanceAcquired by the vendor's father on the UK art market, before 1990.
FootnotesNaser al-Din Shah Qajar was the fourth Shah of Qajar, and the third longest reigning ruler in Iranian history. He was assassinated in Tehran on 1st May 1896. He is known for being the first modern Persian monarch to have formally visited Europe and to have written about his travels in his memoirs.
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AUCTIONS:
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LOT 1962
Post Medieval Bone China Portrait of Naser al-Din Shah Qajar
Estimate £300 - 400€350 - 460 (for guidance only)$410 - 540 (for guidance only)
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Baroque Gold, Ruby and Enamel Ring
Circa 1620-1640 A.D.Estimate: £12,000 - 17,000 (+bp*)
Opening Bid: £6,667
Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced. -
Greek Icon with the Presentation and Annunciation
Late 17th-early 18th century A.D.Sold for (Inc. bp): £351
A pair of wooden icons with tempera painted scenes of the Presentation and Annunciation, each with Greek text above, set into a later diptych case displaying pontillé figure of Saint George spearing the dragon, together with tremello cross and lettering; hinged with chain and fastening hook. 284 grams, 12.2 x 10 cm
The Kusmirek Collection, UK. -
Pair of Bronze Liturgical Fans
Greece, 17th-18th century A.D.Sold for (Inc. bp): £3,120
Each composed of a stem with wooden handle and tapering white metal stem with bulbous collar, all ornamented with repoussé floral and foliate tendrils and seraphims; the bifacial discoid heads with scalloped circumferences, each with five domed bosses and displaying seraphims and stars within pellet and bead borders; lettering to heads and collars; each mounted on a custom-made display stand. 3.45 kgs total, 64.2 cm each including base
with Boisgirard, 28 November 2013, lot 138. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.202063.
The shape and decorative scheme of these liturgical fans has existed since at least the 8th century A.D. These fans were likely crafted as souvenirs for pilgrims returning from Jerusalem, or for them to bring to Jerusalem as homage to the church. Seraphim are the highest-ranking angels in the traditional hierarchy, and as such are closest to God.
