Post Medieval Biblical Ceramic Tile Group

Abafil trade box with seven velvet trays, five including lead spindle whorls and weights and other metal detecting finds, fire strikers, shark’s teeth, Bronze Age bracelet, various coins, and some reproductions. 8.5 kg total, 35 x 29 x 24 cm including case



Acquired 1990s-early 2000s. East Anglian private collection.

Displaying a stylised floral design composed of filigree ropework and plain bands, applied filigree roundels adorned with granules alternating with lozengiform plaques; reverse displaying squashed sheet-silver tubes radiating from central filigree 'ropework'. 6.04 grams, 29 mm



From the collection of a North American gentleman, formed in the 1990s.

Each composed of a stem with wooden handle and tapering white metal stem with bulbous collar, all ornamented with repoussé floral and foliate tendrils and seraphims; the bifacial discoid heads with scalloped circumferences, each with five domed bosses and displaying seraphims and stars within pellet and bead borders; lettering to heads and collars; each mounted on a custom-made display stand. 3.45 kgs total, 64.2 cm each including base



with Boisgirard, 28 November 2013, lot 138. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.202063.

The shape and decorative scheme of these liturgical fans has existed since at least the 8th century A.D. These fans were likely crafted as souvenirs for pilgrims returning from Jerusalem, or for them to bring to Jerusalem as homage to the church. Seraphim are the highest-ranking angels in the traditional hierarchy, and as such are closest to God.