Phoenicio-Egyptian Hardstone Scarab with Hieroglyphs

With dorsal pillar, hands folded across the chest holding a pick and hoe, with a front panel of faintly impressed hieroglyphic text. 72 grams, 10.7 cm



Ex M.S. Ciappara collection, Norfolk, UK, 1939-1950.

Shabti figures were created to carry out heavy manual tasks on behalf of a person in the afterlife. They were often depicted with tools in their hands, such as baskets, mattocks, and hoes. Over time, the number of shabtis in a standard elite burial increased, from one in the Eighteenth Dynasty to several in the Nineteenth Dynasty, to one for every day of the year by the Third Intermediate Period. The number of shabtis remained in the hundreds during the Late Period.

With transverse piercing for suspension. 7.55 grams, 30 mm



From the old Belfort collection, expert Jean Roudillon. Ex Hotel des Ventes de Belfort. Property of a French collector.

The wedjat-eye amulet represents the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. As such, it was used by both the living and the dead.

Profile bust of an Egyptian male in nemes headcloth with uraeus to the brow, wesekh segmented collar; signed bottom right 'Howard Carter, 1905'; board to reverse with pencilled note 'Hatshepsu' and inked 'Watercolour painting signed H carter 1905 / remnants of an old Philips auction label on verso', with pencilled star motif. 898 grams total, 38.5 x 31 cm



with old Phillips label to the verso.

Hatshepsut was the longest-reigning female ruler in Egyptian history (1473-1458 B.C.), who undertook several military expeditions. Howard Carter's father, Samuel, was an illustrator for the Illustrated London News in the later 1800s. In 1891, Howard Carter accompanied Percy Newberry on an expedition focussing on First Intermediate Period tombs at the Middle Egyptian site of Beni Hasan, from which many of his original pieces survive. During his time at El-Amarna, the excavator Flinders-Petrie took Carter to visit the newly discovered royal tomb of Pharaoh Akhenaten. Carter made some sketches there which were published in The Daily Graphic on March 23, 1892, accompanying Petrie’s article on the tomb. These sketches were the first Egyptian drawings published by Howard Carter, and the first to convey the uniqueness of Amarna art to the European public.