Phoenician Shipwreck Pottery Amphora

Spherical body with trumpet-shaped mouth and loop handle to the shoulder, painted spirals to each face. 124 grams, 99 mm



From an old Lebanese family collection moved to Germany in the middle of the 1970s. Acquired from Bonhams, London, 20 October 2005, no.424 (part). From an important Cambridgeshire estate; thence by descent. Accompanied by copies of the relevant Bonhams catalogue pages and the original Bonhams lot tag.

With inverted echinus lip and tall neck, a ribbed handle to each side with coiling lotus buds and palmettes beneath the handles; Side a) a running winged Gorgon depicted frontally, dressed in a black and red chiton; Side b) an aristocratic warrior wearing a Chalcidian helmet and driving a quadriga, the two central horses superimposed, the other two turned outward; a frieze of lotus buds and a band Greek key motifs below, the neck decorated with red and black palmettes, and elongated lotus blossoms; restored. 3.25 kg, 39 cm high



Acquired in Geneva in 1954. Formerly in the Y. Forrer collection, Geneva, Switzerland. Private collection, Switzerland, 1999. with Gorny & Mosch, Munich, 20 June 2012, no.73. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11798-206784.

This wonderful vase can be attributed to the Swing Painter, active in Athens during the last part of the 6th century B.C. Beazley named him after the subject of a girl on a swing that he painted more than once. He was a pot painter, perhaps a pupil of the Princeton Painter. His black-figure paintings included a range of mythological subjects and some quite unusual images. A very large number of vases have been attributed to his hand on the basis of style. Characteristic of his paintings are contemporary touches, such as the presence of hoplites, in mythological scenes (München, Staatliche Antikensammlungen 1385 [J 729], Beazley Archive Pottery Database 301590; Poseidon fighting the giant Polybotes, Louvre F226). An important artwork is the famous representation of the Tyrant Pysistratos and his Rabdophoroi (bodyguards armed with clubs, Athens National Archaeological Museum 15111, Beazley Archive Pottery Database 301523).

Enlivened with crimson, ochre and white slip; with rays on the neck, the shoulder showing a lady of fashion lying, adorned with earrings and bracelets, holding a patera in her right hand, and foliate sprigs in the field; palmette at the base of the handle, and grape vine on the cotton reel body. 229 grams, 16.5 cm



Ex Ancient Art Shop, Windsor, UK, in the 1990s. Heads and Tales exhibition, Piccadilly, London, 2002. From the collection of PA, Hertfordshire, UK.

Stretched-out figures of women or Eros appear frequently on the shoulders of epichyseis in the Menzies group. This epichyseis substituted the image of a woman to that of Eros, sitting nude in other identical vessels on a dotted white and white-stripe ground line with his legs outstretched before him. The woman holds in his right hand a patera, exactly as the Eros on the epichyses in the Getty Museum. The position of the woman, the treatment of the dress and the position of the legs, as well as the palmette decoration and adjuncts would suggest to associate the vase with the Menzies Group.