Phoenician Scarab Seal for Belonging to H-N-N (The Merciful)

Formed as stylised phallus with large testes and part of the lower abdomen, suspension loop above. 1.54 grams, 18 mm



From the collection of a late London, UK, gentleman, 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Small phallic amulets in ancient Egypt symbolised fertility, protection, and vitality. Often worn as jewellery or carried as personal charms, these amulets invoked the generative power of the male form, which was closely tied to life, creation, and strength. They were commonly used to ward off evil, ensure male potency, and protect children or the wearer from harm. These amulets reflect the Egyptian belief in the protective and regenerative power of sexuality, and their use spanned both everyday life and funerary contexts.

With a round face featuring large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners, the forehead has a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand



Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).

Group of cylindrical and discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 48.8 grams total, 12-20 mm



From a central London ADA dealership, 1980-1990. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.