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LOT 0041
Phoenician Scarab Seal for Belonging to H-N-N (The Merciful)
CIRCA 800-400 B.C.
3/4 in. (4.76 grams, 20 mm).
Accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Chalcedony/Carnelian 14.5 x 20 x 10 mm. This s a scarab on a flat base, the insect nicely modelled, and the seal design on the flat base is contained within a linear border. It shows a prancing lion above a fallen bull and there is an inscription in the West Semitic alphabet [three characters] l-h-n-n Property of H-n-n. This is a Phoenician seal, exact date not easy to fix but c.800-400 B.C. is the likely range. The seal, which is not pierced, is chipped around the edges but otherwise in very good condition.'
ProvenanceAcquired on the German art market, 1989-1995.
with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003.
Property of a London based academic, 2003 to present.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12634-233894.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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LOT 0041
Phoenician Scarab Seal for Belonging to H-N-N (The Merciful)
Estimate £3,500 - 4,500€4,060 - 5,220 (for guidance only)$4,730 - 6,080 (for guidance only)
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Egyptian Pre-Dynastic Greywacke Palette
Predynastic Period, Naqada III, circa 3300–2960 B.C.Sold for (Inc. bp): £468
Circular in plan with smoothed faces, pierced through the edge. 238 grams, 13.3 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Palettes were utilitarian objects used in the Predynastic Period to grind and mix mineral-based eye pigments (including ochre, malachite, and haematite). Greywacke cosmetic palettes were easily carved in various shapes and sizes, including zoomorphic representations and geometric forms. The symbolism of this circular palette may be connected to the sun disc, which featured prominently in ancient Egyptian culture. The palette was so significant in Predynastic society that purely ceremonial versions, often impractically large for their original purpose, were produced for use in temple rituals. The most famous is the highly decorated Narmer Palette discovered at Hierakonpolis. -
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Egyptian Turquoise Glazed Faience Four Sons of Horus Mount Set
25th Dynasty, circa 747-656 B.C.Sold for (Inc. bp): £5,200
Set of four flat-backed plaques depicting the standing figures of the four sons of Horus (from left to right: Duamutef, Imsety, Hapy, and Qebehsenuef) in profile, each wearing a tripartite wig, broad collars, and holding a long folded cloth; mounted on a stand. 81 grams total, 95 x 80 mm including stand
Gunther Markert collection, Germany/Switzerland, 1954 or 1961. with Robert Bigler, Switzerland. Private collection, London, UK, acquired from the above on 12 October 2001. Accompanied by a copy of the Robert Bigler invoice. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Four Sons of Horus were deities tasked with protecting the internal organs of the deceased. The human-headed Imsety safeguarded the liver, the baboon-headed Hapy looked after the lungs, the jackal-headed Duamutef defended the stomach, and the falcon-headed Qebehsenuef protected the intestines. Amulets featuring these deities were included within the mummy wrappings. -
Egyptian Steatite Pharaoh Thutmose III Royal Scarab
New Kingdom, 1334-332 B.C. or laterSold for (Inc. bp): £468
With fine detailing to the clypeus, head and legs; underside with cartouche for Thutmose III flanked by winged scarabs. 7.42 grams, 25 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
