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LOT 0595
Phoenician Limestone Standing Goddess Holding a Bird
CIRCA 6TH-5TH CENTURY B.C.
13 3/8 in. (1.39 kg, 34 cm).
D-shaped plaque, depicting a female wearing a floor-length gown, standing on a rectangular base; left arm bent to support a goose against the body. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
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AUCTIONS:
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Greek Apulian Black-Glazed Mug
Circa 4th-3rd century B.C.Estimate: £250 - 350 (+bp*)
Opening Bid: £125
With a high-gloss black slip, ovoid body and a short wide neck with a flaring rim, a wide strap handle and a flat base. 144 grams, 95 mm wide
Ex P. A., Hertfordshire, UK, specialist collection of Greek art, 1980-1990s.
The black glaze technique uses the same glaze used by the Greeks on the red-figure and black-figure ceramics, but covering the entire piece, without figurative decoration. It was a transparent raw glaze, which took on its characteristic intense, glossy black tone after firing. -
Etruscan Terracotta Votive Hand
Circa 4th century B.C.Sold for (Inc. bp): £390
Hollow-formed model hand with fingers held straight together. 430 grams, 20.5 cm
Old private collection, Jacksonville, Florida, USA. Acquired from Agora Auctions, Auction 60, no.417. Property of a South Australian private collector, with collection reference 16.03. Accompanied by detailed collector's catalogue pages including description and images.
Votives of an anatomical nature began in the Hellenistic or late Classical period, where they were associated with healing and with fertility.The red pigment on the votive suggests that it was provided by a male; female hands were white or pink. The votives were provided to visitors at the temple, and were disposed of over time. -
Parthian Glazed Ceramic Jug
1st century B.C.-1st century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £80
Speckled glaze; deep shoulder with chamfered rim and strap handle. 776 grams, 16.5 cm high
Acquired by the vendor's father on the UK art market, before 1990.
