Phoenician Glass Beads with Gold Spacers

With barrel-shaped upper and tapering body, modelled with coil detailing around the upper body, tiered rings above and finial of an ibex's head with horns returned to form a collar; mounted on a custom-made stand. 347 grams total, 25.5 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Modelled in the round, front and back paws formed as a one block, pierced lug to the back. 57.5 grams, 57 mm



with a London, UK gallery, 1971-early 2000s.

The lion was one of the most widely used symbols in Seljuk culture. They frequently used the word aslan, meaning lion, in the names of their Sultans and statesmen, such as Alparslan, "brave lion," Aslanshah, "lion king," and Aslandogmus, "lion born." Four of the Seljuk Sultans were named Kilicarslan, which combines the words for a sword and lion, and the interest in lions is clearly reflected in the art and architecture of the Seljuk period. Lion-head water spouts are to be found at a number of caravanserais, and lion statues guarded the portals to the city of Cardak Han in Anatolia, as well as carved onto the walls of the palace at Incir Han. The lion is also to be found on the coins of Sultan Giyaseddin II.

Comprising vessels and bowls of various shapes; some with painted detailing. 1.9 kg total, 5.5-16.5 cm



From a London, UK, collection, 1980-1990.