LOT 2952
Phoenicia, Berytus AE 9mm. AD 218-222.
Pseudo-autonomous issue. CO-L, Marsyas standing to left and holding wineskin / BER above prow to right. RPC III 3858; BMC 27-35. Near Very Fine.(0.50gr, 9mm, 8h.).
ProvenancePrivate collection, acquired 1980–1985.
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LOT 2952
Phoenicia, Berytus AE 9mm.
Estimate £30 - 40€35 - 46 (for guidance only)$41 - 54 (for guidance only)
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Diocletian BI Tetradrachm of Alexandria, Egypt. AD 284-305.
Sold for (Inc. bp): £26
Dated RY 9 (AD 292/3). ΔΙΟΚΛΗΤΙΑΝΟϹ ϹЄΒ, laureate and cuirassed bust to right / Elpis advancing to left, holding flower and raising skirt; L in right field, ЄΝΑΤΟΥ (date) in left field, Δ in exergue. RPC X Online Unassigned ID 76462; Dattari (Savio) 5675; Emmett 4046. 7.47gr, 19mm, 12h.
Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Severus Alexander AE 38mm of Amaseia, Pontus. AD 222-235.
Sold for (Inc. bp): £234
Dated CY 228 (AD 225/6). ΑΥΤ Κ ϹЄΟΥΗΡΟϹ ΑΛЄΞΑΝΔΡΟϹ, laureate, draped, and cuirassed bust to right; c/m: Tyche standing to left, holding rudder and cornucopia / ΑΔΡ ϹЄΥ ΑAЄΞ(sic) [ΑΜΑϹΙ]A[Ϲ] ΜΗ(ligate) ΝЄ ΠΡ ΠΟΝ (ΑΔΡΙΑΝΗC CΕΥΗΡΙΑΝΗC ΑΛΕΞΑΝΔΡΙΝΗC ΑΜΑCΙΑC ΜΗΤΡΟΠΟΛΕΩC ΝΕΩΚΟΡΟΥ ΠΡΩΤΗC ΠΟΝΤΟΥ) around and below, ЄΤ Ϲ[KH] (date) across field, altar of Zeus Strateus, surmounted by eagle standing facing, head to left, with wings spread; tree to left; above, Helios driving facing quadriga, raising his right hand and holding whip in left. RPC VI 6462 (temporary); cf. Dalaison 578; RG 105. For countermark see Howgego 269. 28.86gr, 38mm, 1h.
Very Fine.
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Diocletian BI Tetradrachm of Alexandria, Egypt. AD 284-305.
Sold for (Inc. bp): £33
Dated RY 8 (AD 291/2). ΔIOKΛHTIANOC CЄB, laureate head to right / Zeus standing to left, holding patera and sceptre, eagle standing to left; L H (date) across fields. RPC X Online Unassigned ID 76093; Dattari (Savio) 5641; Emmett 4087. 6.41gr, 20mm, 11h.
Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s.
