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LOT 0376
Painted Wooden Icon with Tobias and the Angel
RUSSIA, 19TH CENTURY A.D.
14 1/8 x 11 3/8 in. (1.7 kg, 36 x 29 cm).
Rectangular board with mounting bar to reverse; central recess with painted scene of Tobias and angel Raphael in a landscape, city wall to rear; the Archangel dressed in a blue long sleeved tunica talaris, and wrapped in a red chlamys, the wings, shoes and the embroidery of the tunic’s cuffs in gold, his left hand raised with his finger pointing up to the sky; Tobias dressed in a short light green chiton with gold embroidery, red trousers and gold boots.
ProvenanceAcquired on the UK art market.
Private collection, London, UK.
Cf. for the Renaissance prototype of this icon Francesco Bottinghini, The Three Archangels with Tobias, circa 1470, Galleria degli Uffizi, Firenze, inv.no. ID 00285858.
FootnotesThe icon represents the well known biblical episode of Tobias (Book of Tobit), who, assisted by the Archangel Raphael, went to Ecbatana to meet his cousin Sarah. Raphael told the boy Tobias to catch a fish and to remove its organs, which when burnt were able to drive out the Demon Asmodeus.
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AUCTIONS:
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LOT 0376
Painted Wooden Icon with Tobias and the Angel
Estimate £1,200 - 1,700€1,390 - 1,970 (for guidance only)$1,620 - 2,300 (for guidance only)
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Georgian Bronze Bawdy Pipe Tamper
Circa 18th century A.D.Sold for (Inc. bp): £65
Formed as a copulating couple with a dog standing on the head and buttocks of the female; bell-shaped finial with hatched underside. 20.2 grams, 65 mm
Found Lincolnshire, UK. -
Painted Wooden Icon with the Virgin of Tenderness
Russia, 16th-17th centuries A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Executed in oil and tempera with painted image of nimbate Mary embracing the nimbate infant Jesus; head of Mary with gilded nimbus and russet-coloured veil; the Virgin is shown in half length, wearing a red-gold fringed maphorion with elaborate golden saltires on the shoulders, over a dark blue robe, visible only on the gold embroidered cuffs; the child touching his mother's chin, holding a furled scroll in his left hand and dressed in blue tunic and wrapped in a gold-orange shawl; on upper left of the Virgin’s head Greek inscriptions 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God) and beside the Divine Child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ); inside the nimbus of Christ three letters (only two visible) representing the continuous divine self-existence of Christ as God (O ѾN = The Only One who always exists); rectangular wooden board with mounting slots and bar to reverse. 1.78 kg, 45 x 35.5 cm
Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12928-246333.
This splendid specimen comes most probably from an ancient private aristocratic Russian household. It has a superb quality and consists in a refined representation of the Mother of God known as Eleousa (Umilyenie in Russian), in which the Virgin tenderly embraces the Christ Child. Characterised by an affectionate embrace of Mary and the Christ Child, the image combines the themes of maternal love and the Passion of Christ. -
Roman Style Gold Ring with Portrait Gemstone
20th century A.D.Sold for (Inc. bp): £390
Hollow-formed D-section hoop with columnar bezel, inset jasper gemstone engraved with a portrait female bust. 7.06 grams, 30.43 mm overall, 19.60 mm internal diameter (approximate size British T, USA 9 1/2, Europe 21.26, Japan 20)
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
