Loading, please wait...
LOT 0124
Over Life-Sized Roman Marble Head of a Tetrarch
3RD-4TH CENTURY A.D.
10 5/8 in. (26.5 kg, 27 cm high).
Carved in the round with stern facial features, short curly hair and beard with light moustache; the broad brow modelled with characterful creasing, the eyebrows slightly drooping and eyes deep-set, the nose angular and small pinched mouth; possibly an emperor or a tetrarch; possibly retouched in places.
ProvenancePrivate collection, Europe.
Acquired on the European art market, 2002.
Private Swiss collection.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12574-232106.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Bianchi Bandinelli, R., Roma, la fine dell'arte antica, Milano, 1970, fig.76; Frel, J., Roman Portraits in the Getty Museum,Malibu, 1981, fig.93; Cf. Donati, A., Gentili, G., Costantino Il Grande, la civilta' Antica al bivio fra Occidente ed Oriente, Milano, 2005, pp.204ff.; cf. also Biscottini, P., Sena Chiesa, G., Costantino, 313 d.C., l’Editto di Milano e il tempo della tolleranza, Milano, 2012, pp.124, 179, 182, 185, 187.
FootnotesThe portrait, for style and artistic structure, can be compared with the ones of Diocletian and his colleague Maximianus Herculius, and with most of the emperors of the so-called Tetrarchic Period. Like in the portrait of Diocletian and Maximianus, this military man is portrayed with bags under his eyes and with a harsh facial expression. The wrinkles on his forehead and around his mouth show the feelings of a man engaged in difficult times. Stylistically the face presents affinity with the portrait of Diocletian or Maximianus Herculius at the Uffizi (inv.242), some elements also recall the portrait of Decius at the Musei Capitolini (inv.482). We can therefore date the artwork in the period between the second half of the 3rd century and the first decade of the 4th century A.D.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Roman Marbled Turquoise Glass Bottle
1st century A.D.Estimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £450
Comprising an iridescent piriform body, tapering tubular neck with pinched and everted rolled rim. 9.44 grams, 84 mm
Acquired on the European art market in 2001. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Marbled Gold in Glass Bottle
Early 1st century A.D.Sold for (Inc. bp): £19,500
Cylindrical polychrome body tapering towards the angled shoulder, tubular neck and flat rim; circumferential lathe-cut lines to the body, base and rim. 85 grams, 89 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12613-234626. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Small bottles, lidded pyxides (boxes) of this type and luxury gold-band glass were made during the Julio-Claudian period. The production and widespread use of tableware in marbled glass in the Western empire took place between the end of the age of Augustus and the beginning of the age of Tiberius (circa 10-16 A.D.), reaching its peak in the period of Nero (54-68 A.D.). -
Two Roman Sandstone Architectural Frieze Sections
Circa 1st century B.C.-1st century A.D.Sold for (Inc. bp): £6,435
Each rectangular with raised upper lip and a raised decorative frieze with rosettes and a bull's head (bucranium) separated by triple pilasters. 76.2 kg total, 76.5 cm each
with Georges Joseph Demotte (1877-1923) and Andrée Macé (1918-2000), Belgium and New York. Collection Demotte/Andrée Macé; Jean-Claude Renard Auction, Suresnes, 3 September 2013, no.87. with Galerie Chenel, Paris, 2021. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12624-236336. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
In classical Rome bovine skulls decorated the friezes of entablatures. Often, they were positioned in the metopes of Doric entablatures, but also in Ionic and Corinthian friezes, sometimes connected by floral or drapery swags. The architectural term for these skulls is bucranium (pl. bucrania or bucranes), a word derived from the Latin bos, meaning ox or cow, and cranium, the Medieval Latin term for a skull. The skulls allude to the ancient Greek and Roman ceremonies of sacrifice.