Orthodox Enamelled Bronze Cross Pendant

Rectangular in plan, the lime green silk field with two large roundels of red silk tied by a tassel in the rococo style, signature of Sultan Mahmud II contained within a mosque lamp, ten smaller roundels of alternating cream, orange and cream silk; large central rectangular panel and two bands above incorporating inscriptions in Thuluth, tughra of the Sultan framed by swags in lower part of field, ground richly decorated with floral swags and vegetal motifs, backed. 17.8 kg, 294 x 179 cm



Acquired before 2000. Private collection, UK. with Bonhams, London, 6 October 2008, no.216 (est. £80,000 - £120,000). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12741-235157.

The inscriptions comprise: in two horizontal cartouches: Qur'an, surah al-Ahzab (XXXIII, verses 45-46) inscription contained in mosque lamp; the signature of Sultan Mahmud Il in the two large roundels: the Shahadah in the six roundels above central rectangular panel; the names of the four Orthodox Caliphs, and the Imams Hasan and Husain in the central panel; Quran, surah al-Baqarah (Il), verse 255, ayat al-Kursi in the six side panels; the names of the companions of the Prophet in the lower part; the tughra of Sultan Mahmud.

Representing Saint Nicholas of Mira, with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion, all embroidered with crosses; the saint flanked by Jesus and Virgin Mary, Christ holding the Gospel, Mary the bishop’s epitrachelion; Cyrillic inscriptions 'Saint Nikolaos the Wonderworker (СВЯТЫЙ НИКОЛА ЧУДОТВОРЕЦ), Iesus Christos (ΙΣ ΧC) and Mother of God (ΜΡ ΘΥ)' on the enamelled background. 341 grams, 12.1 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. The enamel colors, despite the passage of time, retain their vibrant intensity, highlighting the key elements of the depicted images. The refined details and use of enamel give depth and luminosity to the icon, making it a precious example of the Russian Orthodox tradition.

Depicting the Saviour on the cross, the titulum inscribed in Cyrillic ‘Jesus of Nazareth, King of the Jews’; long inscriptions in Old Church Slavonic and traditional elements of the ‘Stavrosis’ surrounding the cross: sponge on reed, spear and a skull set on stones marking the site as Golgotha, twisted cords or wire, and the walls of Jerusalem; on the upper part of the cross, angels with cloth-covered hands and over them a frontal view of the torso of God with his arms raised above clouds; inscribed prayers in Old Church Slavonic and file marks on the back of the casting. 65.4 grams, 11.1 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

Orthodox travel icons were used by the faithful to carry a sacred representation with them during their journeys, offering protection and a constant spiritual connection. The icon features meticulous craftsmanship with intricate details of the Passion and Death of the Saviour, according to the Byzantine iconography.