Orthodox Bronze Cross Pendant

Wide hoop with a starburst motif at the base, lozengiform bezel with linear decoration. 6.65 grams, 27.83 mm overall, 23.77 mm internal diameter (approximate size British Z+2 1/2, USA 13 3/4, Europe 32.01, Japan 30)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

Depicting the Mother of God of Kazan with the Divine Child; the head of Mary slightly turned left towards infant Jesus extending his right hand in blessing; both figures with large haloes and identifying Greek inscriptions 'ΜΡ ΘΥ' (Mother of God) and 'O Ѡ N' (I am); three flowers in the nimbus of the Virgin; knop at the top for the suspension. 34.3 grams, 59 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The original icon prototype of these smaller icons, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.

Representing the Vladimir Mother of God with the Divine Child; the half-length figure Mary with covered head turned right and with her left hand raised; holding the embracing infant Jesus in her right hand; above them inscription in Greek letters 'ΜΡ ΘΥ' (Mother of God); flanking the central icon and beneath it the images of the Saints Peter, Paul, Peter of Moscow and John Chrysostomos, Saint Gregory and Saint Dimitri; in the foreground the city of Vladimir. 96 grams, 60 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The original icon prototype of these smaller icons was the icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of Russia, which was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace.