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LOT 0494
Original Press Photographs of the 1972 Tutankhamun Exhibition
1972 A.D.
10 x 7 - 10 x 8 in. (102 grams total, 25.2 x 17.7 - 25.3 x 20.4 cm).
Comprising monochrome glossy photographs with printed caption to the reverse: 'Tutankhamun's Funerary Couch. The divine cow in the final stages of wrapping, being embraced by Mr. T.G.H. James, Assistant Keeper of the British Museum'; 'The six stages in the packing of the gilded wooden statue of Tutankhamun; one of a pair that stood sentinel at the entrance to the inner chamber'; 'Colin Ashby of Walford Wingate Forwarders Ltd in the course of packing the major item in the Tutankhamun collection at the Cairo Museum. The funerary mask from Tutankhamun's mummy is made of beaten gold and is the finest ever found.' (Colour photo); 'The funerary mask from Tutankhamun's mummy made of beaten gold and the finest ever found. (Please credit the Cairo Museum)'; 'Part of the carefully-packed contents of Tutankhamun's tomb at London Airport on arrival from Cairo. Lt.Col. E.C. Easter MBE, Chairman of Walford Wingate Forwarders Ltd. the company responsible for the entire packing and surface transportation operation, supervises the off-loading of part of the world's most fabulous treasure.' (2 photographs); 'Never has B.O.A.C.'s slogan been more assuring. the innocent looking cargo being unloaded at London Airport is part of a priceless consignment from Cairo for the forthcoming exhibition of the contents of Tutankhamun's tomb to be held at the British Museum. Flown in by the R.A.F. and B.O.A.C. under British Government indemnity, the world's greatest treasure trove was packed and handled by Walford Wingate Forwarders Ltd.'; 'Tutankhamun's Funerary Couch. Preliminary inspection of Tutankhamun's funerary couch by Messrs Ashby and Burnett of Walford Wingate Forwarders Ltd.'; 'Tutankhamun's Funerary Couch. One of the divine cows separated from the couch in the early stages of wrapping'. [9, No Reserve]
ProvenanceProperty of a Cambridgeshire, UK, gentleman.
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AUCTIONS:
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LOT 0494
Original Press Photographs of the 1972 Tutankhamun Exhibition
Sold for (Inc. bp): £39
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Egyptian Faience Mummy Bead Mask with Four Sons of Horus
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £312
A netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with a false beard, a scarab with extended wings below, and the 'Four Sons of Horus’ figures beneath the scarab, joined together with areas of open netting of tubular examples; restrung with some later beads. 113 grams, 30 cm
Ex Mariaud des Serres, Paris, France, 1990s.
Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef who protects the stomach, followed by the falcon-headed Qebehsenuef, who protects the intestines, then the human-headed Imsety, protector of the liver and, finally, the baboon-headed Hapy on the right, protector of the lungs. The internal organs were often placed in canopic jars with the head of the respective Son of Horus. Amulets depicting these deities were placed within the mummy wrappings. -
Egyptian Alabaster Alabastron
Late Period, circa 664-332 B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £222
With small everted rim, the body of oval shape with two ear-shaped vestigial handles; rim chipped and base partly absent. 174 grams, 87 mm high
Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display.
Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship. -
Egyptian Blue-Glazed Faience Blue Lotus Chalice
New Kingdom-Third Intermediate Period, circa 1504-935 B.C.Sold for (Inc. bp): £9,360
With a tall, flaring cup rounded at the base, attached to a short stem supported on a flared foot; the outside of the cup decorated with petals modelled in relief and a ribbed rim; the stem and foot plain; some restoration. 126 grams, 16 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12099-214088.
Faience chalices shaped like the flowers of the blue lotus (Nymphaea caerulea) first appeared in the 18th Dynasty. The blue lotus chalices were believed to have been used for cultic or votive purposes in temples or in rituals offered to the dead. Known as 'Seshen' by the ancient Egyptians, the blue lotus was a symbol of solar concepts associated with rebirth, probably because its flowers opened in the morning and closed at night. Hence, it is not surprising to find that the lotus was prominently featured in ancient Egyptian funerary art, particularly in banqueting scenes honouring the deceased, and in bouquets that adorned the coffin and bier of the deceased. It is also believed that the flower petals were used to make perfume, and that the ancient Egyptians took advantage of the lotus's narcotic properties. The extracted essence was added to wine to enhance its pleasurable effects, as depicted in banqueting scenes with intoxicated guests.
