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LOT 0383
Neoclassical Carnelian Gemstone with Bacchic Procession
ITALY, 19TH CENTURY A.D.
1 1/2 in. (7.83 grams, 38 mm).
The oval intaglio carved with a lively Bacchic procession: a winged putto driving a goat-drawn chariot, grasping a thyrsus with one hand and guiding the reins with the other; before the chariot, another putto dancing and playing the pipes; set in a gold pendant.
ProvenancePrivate collection, UK.
FootnotesThe subject reflects the revival of antique themes characteristic of early 19th-century glyptic art, drawing inspiration from Roman gems and Renaissance engravings after Raphael. Such imagery of putti in Bacchic revels was emblematic of festivity, abundance, and playful triumph, well-suited to the Neoclassical fascination with classical allegory. For a comparison, see the Metropolitan Museum of Art, New York, accession no. 49.97.335, “A frieze arrangement with a putto wearing a laurel crown riding a goat at left and many infants playing musical instruments in front,” Master of the Die after Raphael, c. 1530–60.
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AUCTIONS:
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LOT 0383
Neoclassical Carnelian Gemstone with Bacchic Procession
Sold for (Inc. bp): £2,600
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Egyptian Style Steatite Fish Amulet
20th century A.D. or earlierEstimate: £100 - 140 (+bp*)
Opening Bid: £50
Comprising a slender oxyrhynchus fish on a supporting sledge with incised decoration and a pierced suspension block above. 7.95 grams, 46 mm
From the private collection of Mr K.A., acquired in the 1990s-early 2000s.
The Oxyrhynchus (meaning 'sharp-nosed') fish is featured in the later version of the Osiris legend as the creature that swallowed and preserved the phallus of the dismembered king. -
Imperial German Naval Officer's Hat by W. Lucas Hoflieferant Berlin
19th century A.D.Sold for (Inc. bp): £72
Cocked hat with maker's badge inside. 172 grams, 38.5 cm
From the private collection of author and historian Dr DeWitt Bailey, one of the global authorities on the confederate army in the US civil war; thence by descent to his grandson. -
Eastern European Bronze Folding Triptych Icon of the Mother of God 'Joy of All Who Sorrow'
Circa 1850's A.D.Sold for (Inc. bp): £156
Representing the subject of the advocation of Virgin Mary, depicted as a haloed robed woman, standing with her arms extended outwards, figures kneeling at her side, Greek inscription 'ΜΡ ϴΥ’ (Mother of God) above; the other panels with the entrance of Christ in Jerusalem (top left); the Presentation to the Temple (bottom left); the Resurrection (top right) and the Ascension (bottom right); Cyrillic inscriptions over each of the scenes; on the crest and finial, the Trinity (three angels with cups) flanked by Cherubins, the Mandylion above. 85 grams, 90 mm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The icon represents the Intercession of Mary, 'Joy of all who sorrow'. It formed the central part of a triptych with the Mother of God at the centre, surmounted by iconography of veneration. The other parts of the triptych are embossed with scenes of the lives of Christ.