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LOT 0286
Neo-Assyrian Stone Relief with Standing Figure
9TH-8TH CENTURY B.C.
9 5/8 in. (2.81 kg, 24.3 cm).
Corner fragment from a high-relief pictorial panel with raised border; domed dais with low-relief scaled detailing; lower legs and sandaled feet in advancing pose with ankle-length open-fronted robe, horizontal woven texture and curled fleece; high-relief stele with flared base, bulbous upper and sugar-loaf finial; pitted surface, with tooling to reverse.
ProvenanceEx German collection, c.1980.
with Toufic Arakji, Hamburg, 1997.
Private collection, Europe.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12579-232134.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. similar costumes and sandals in Directorate General of Antiquities, Assyrian Costumes, Les Costumes Assyriens, Baghdad, 1971, figs.2, 7, 8, 9 (Ashurnasirpal II), 28 (mythological hero), 29 (priest); Houston, M.G., Ancient Egyptian, Mesopotamian & Persian costume, London, 1954 (2002), fig.130; see also Assyrian cultic scene in Budge, E.A.W., Assyrian Sculptures in the British Museum, Reign of Ashur-nasir-pal, 885-890 B.C., London, 1914, pl. XI & LIII.4 & LIII.7.
FootnotesStylistically, the figure seems to be linked to the kingdom of Ashurnasirpal II (883-859 B.C.) or his son Shalmaneser III (858-824 B.C.). The exposed lower leg with exaggerated musculature is seen in many Assyrian and Babylonian depictions of divine and heroic figures. The position of the figure, corresponding to some reliefs kept in the Louvre, where a spirit is worshipping a poppy flower (Houston, 1954, pl.V.1), and the high-relief carving strongly refer to a cult scene.
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LOT 0286
Neo-Assyrian Stone Relief with Standing Figure
Estimate £4,000 - 6,000€4,640 - 6,960 (for guidance only)$5,400 - 8,100 (for guidance only)
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Aramaic Magic Bowl Group
4th-8th century A.D. and laterEstimate: £500 - 700 (+bp*)
Opening Bid: £250
Comprising: large domed vessel with rounded rim and four painted segments each with repeated symbols; plus a smaller non ancient conical vessel with inturned rim, painted legend in three concentric rings and symbol to centre. 388 grams total, 9.1-16.5 cm
Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
These simple ceramic bowls, also known as magic bowls, each contain an Aramaic inscription, written in ink, which spirals from the centre. The bowls seem to have played an important part in domestic life. For example, during excavation in Nippur in 1889, one or more incantation bowls were found in each house together with domestic artefacts, most often in doorways or under floorboards in the corner of rooms. The bowls are predominantly apotropaic, and the inscriptions tend to protect their owners from misfortunes such as those faced in child-birth, illness and evil spirits. -
Sasanian Tin Bottle-Shaped Vase
6th-7th century A.D.Sold for (Inc. bp): £52
Piriform in profile with narrow base, flared mouth with socket above. 706 grams, 18 cm
Ex Elias-Vase, Holland, 1960s-1970s. Acquired on the UK art market 1979-1983. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Sumerian Black Stone Face Amulet
Uruk/Jemdet Nasr Period, circa 3500-2900 B.C. or laterEstimate: £250 - 350 (+bp*)
Opening Bid: £125
Carved in the half-round with large eyes and ears; drilled depression above the head and beneath the chin. 4.6 grams, 19 mm
From the 'S' collection, acquired 1970-1990s. Accompanied by a description from Peter Gert Van der Veen, senior lecturer of Levantine Archaeology, Johannes Gutenberg-Universität, Mainz. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
