Neo-Assyrian Bronze Pazuzu Head Pendant

Showing a combat of gods; accompanied by a museum quality impression and a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Black Stone 27 x 16 mm. The design shows a combat of gods: all three wear horns on their heads as a mark of divinity. To each side of the scene is a god in long robe from waist to feet, open at the front with one leg projecting. They stand grappling with a god on one knee between them. He wears a robe of similar length, but not open at the front. Diagonal lines rise from the robes of the two attacking gods, probably marking them as fire gods. A stylised tree serves as a terminal. This is an Akkadian seal, c. 2500-2200 B.C. It is one of the rarer designs to see gods, and such fighting gods are not seen in other periods. But we have no written form of the myth to explain exactly what is happening. the seal is in very good condition and has an interesting design.' 12 grams, 27 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.589/3. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert and an old photograph.

Plano-convex in section with incised cuneiform inscription to the flat face. 6.8 grams, 13 mm



with Archaeologia, Switzerland, before 1983. Ex private North American collection. London private collection, 2016.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Faience with Green Glaze 43 x 17 mm. The design, which is contained within a line above and another beneath, consists of two scenes of worship. The one shows a stylized sacred tree with a central trunk and five branches each side, all ending in buds, then a pendant hanging from each lowest branch on either side. On left and right and facing the tree are worshippers, both with hands raised. The other scene has two similar worshipers, facing each other with hands raised. Between them the area is divided in the middle by a guilloche. Above it is a stag falling onto its neck, below it is another kind of horned animal, but recumbent and turning its head. This seal is Mitanni, c. 1500-1200 B.C and from anywhere in the area between Syria and Western Kurdistan. It is a product of the Hurrian civilization and the stylized tree is a symbol of the Storm God, Hurrian Teshub, Babylonian Adad, Hebrew Hadad or Baal. The horned animals occur commonly on Mitanni seals, and this seal proves that they are symbolic of some god, but it is not known which one. The guilloche is a standard decorative filler of the period. Faience is a manufactures substance, comparable with the modern porcelain. In the ground it often deteriorates over the centuries and has a powdery surface. This one, however, is in good condition, the only mark of its age being that the glaze has lost something of its original colour, which was turquoise This is an unusually large seal and important since seals of this size and quality are extremely rare.'; supplied with a museum-quality impression. 11.3 grams, 42 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.P31. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated September 1990.