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LOT 0032
Mycenaean Painted Pottery Alabastron
13TH-11TH CENTURY B.C.
3 5/8 in. (190 grams, 93 mm wide).
Drum-shaped with a sloping shoulder, short neck, trumpet-style neck and mouth and a gently rounded base; three loop handles at regular intervals around the shoulder; reddish-brown painted geometric bands and cross-hatching against a cream slip.
ProvenanceEx private collection, Holland.
Acquired from Royal Athena Gallery, 2003.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11852-206835.
Cf. The British Museum, museum number 1886,0415.14, for similar type; cf. The Metropolitan Museum, New York, accession number 74.51.772, for a similar dated to the Late Bronze Age, 1600-1050 B.C.
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AUCTIONS:
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LOT 0032
Mycenaean Painted Pottery Alabastron
Estimate £1,500 - 2,000€1,740 - 2,320 (for guidance only)$2,030 - 2,700 (for guidance only)
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Greek and Indus Valley Terracotta Vessel Collection
3rd-1st millennium B.C.Sold for (Inc. bp): £260
Mixed group of vessels including biconvex bowl, drum-shaped jar and other types, some with painted ornament. 2.3 kg total, 7.4-20 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Greek Canosan Terracotta Oinochoe with Face
Circa 4th century B.C.Estimate: £800 - 1,000 (+bp*)
Opening Bid: £425
The body formed as a female bust with elaborately styled hair; discoid foot, tall stem with pinched rim giving a broad pouring lip, strap handle to the rear; some pigment remaining. 446 grams, 22.2 cm high
Old French private collection. Swiss private collection, Basel-Landschaft. Private collection of M. Tritten, Binningen, Switzerland. Property of an East Sussex, UK, gentleman.
The Canosan ceramic workshops produced several series of head vases, starting with a red-figure imitation of the Attic plastic oenochoe attributed by Beazley to Group N.21. The next product combined two ceramic techniques: a) the neck, mouth, and handle were executed in red-figure technique with superimposed white rays on the neck; b) the head was drawn from two moulds, mounted on a base rim, and decorated with white slip and polychrome after firing. It belongs to the initial phase of the polychrome ceramic production of Canosa, for which only this type of mould is known. It also illustrates the close collaboration which existed between potters and coroplasts. The same archetype was used in the next phase, producing entirely polychrome head vases, like this one, in which traces of polychrome are still visible on the mouth and near the left ear. -
Greek Gold Earring Pair with Lion Heads
4th-3rd century B.C.Sold for (Inc. bp): £975
Each with a decoratively twisted ear hook and lion head terminal with ornamental collar adorned with filigree spirals and granule clusters; non-identical. 3.05 grams total, 15-21 mm
Acquired between 1950-1970s. Ex Swiss private collection.
