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_900x900.jpg "Monumental Egyptian Stone Head of a Pharaoh")
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LOT 0014
Monumental Egyptian Stone Head of a Pharaoh
PTOLEMAIC PERIOD, 332-30 B.C.
17 in. (45.15 kg, 43 cm).
An over-life-size head of a pharaoh, likely from a monumental sphinx, wearing the royal nemes headdress with a prominent headband and the remains of a rearing uraeus on the brow with a single coil of the body on either side of the cobra’s hood, its tail extending towards the back of the headdress; the large, almond-shaped eyes prominently outlined, and unlike on some portraits, the cosmetic lines do not extend beyond the outer corner; the fragmentary nose almost spanning the width of the small mouth modelled with straight and somewhat pursed lips; mounted on a custom-made display stand.
ProvenancePrivate collection, Germany, 1975.
European collection, 1980s-late 1990s.
By descent from the above to the present owner.
Accompanied by an academic report by Egyptologist Paul Whelan.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12201-218142.
Cf. Stanwick, P., Portraits of the Ptolemies: Greek Kings as Egyptian Pharaohs, Austin, 2002, pp. 67, 103 Cat. A27, for similar.
FootnotesThe presence of tool marks around the neck and sides of the head, contrasting the smooth surface of the face and front part of the headdress, suggests that the sculpture is an unfinished piece. The noticeably heavy brow line is a feature of the 30th Dynasty style, which influenced Ptolemaic royal portraiture (cf. Tomoum, N., The Sculptors' Models of the Late and Ptolemaic Periods, Cairo, 2006, pl.17, for a finished portrait assigned to the 30th Dynasty).
The distinctive features of the head are reminiscent of a granite sphinx head discovered at the Egyptian Delta site of Canopus, now housed in the Graeco-Roman Museum in Alexandria. Two additional heads, one also from the Canopus region, exhibit similar traits, hinting that this style may be indicative of the artistic output of this Delta region.
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LOT 0014
Monumental Egyptian Stone Head of a Pharaoh
Estimate £40,000 - 60,000€46,400 - 69,600 (for guidance only)$54,000 - 81,000 (for guidance only)
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Large Egyptian Expedition Lithograph Print with Hieroglyphs
1820 A.D.Sold for (Inc. bp): £111
Willemin - Thèbes - Hypogées - Manuscrit sur papyrus en caractères hiéroglyphiques. Troisième partie - Proof etching on laid paper of plate 74 from La Description de l’Égypte: Antiquités, Volume II: Commission des sciences et arts d’Égypte with later backing sheet. 360 grams, 136 x 66 cm
From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.
Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea). The original papyrus is now held in the Bibliothèque Nationale (1-19), Paris (Papyrus Cadet). -
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Romano-Egyptian Terracotta Votive Figure of Eros
1st-2nd century A.D.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £2,222
Depicted nude in a dynamic pose with his legs apart and the weight of the body upon his right leg, standing in front of a two storey structure, probably an oven; his left arm raised and right arm extended in front of his torso and resting on the edge of the structure; the oven painted pink at the top and white at the bottom with an offering receptacle at floor level. 232 grams, 15 cm
Ex Dr Daniel Marie Fouquet (1859-1914), Cairo. with Pierre Berge & Associes, Auction, Archaeology 29 November 2014, no.193. Accompanied by a French cultural export permit, no.161028. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a copy of the relevant pages in: Perdrizet, P., Les Terres Cuites Grecques d'Egypt de la Collection Fouquet, Nancy, 1921, where it is published. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12000-211884.
The image of the ‘Eros Baker’ is part of a wide production of Roman terracotta imitating Greek models, although in somewhat crude way. In the Roman age, designs tended to be commonplace and were often indifferent copies of Greek originals. However, the production of terracotta in Hellenistic Egypt continued without interruption and the most subjects of these votive statuettes (in this case probably a baker invoking the blessing of the god upon his activity) were religious, Eros being one of the favourites. -
Egyptian Silver Fly Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £124
Formed as a fly with long triangular wings and domed eyes. 0.84 grams, 16 mm
From an early 20th century collection.
Considering Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were simply a nuisance. However, the Egyptians held flies in high regard due to their quick speed, reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, c. 3200 B.C. These amulets grew in popularity, and the materials used to make them expanded during the New Kingdom. They are crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were thought to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even been intended to symbolise the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour soldiers' bravery and fly-like persistence in battle.
