Mixed Ring Group

Mixed group of silver-coloured metal pendants with brass detailing, including one with a pair of fish to one face and a quatrefoil and rosette band to the reverse, and other types. 149 grams total, 50-84 mm



Property of a South West London gentleman.

With two lines of a poem, permitting a view into a grand architectural setting, populated by falconers, musicians, attendants and others entertaining a prince seated beneath a pagoda, hilly landscape beyond the walls, broad stylised floral border to three sides, Indian workmanship; mounted in a reveal and a glazed wooden frame. 782 grams, 38.6 x 25.5 cm

Very fine condition.

Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art.

Comprising two square panels bound together, painted cross motifs to the outside; left hand panels showing a polychrome scene of St George (Bet Gorgis) slaying the dragon and thus saving the princess shown on the left; the right panel showing winged St Tekle Haymanot in orans pose, right leg with a wooden prosthetic and the severed foot show on the ground, standing behind a bearded Saint (Saint Samuel of Waldebba?) in similar pose, wearing a flounced skirt with panther and lion heads, dove to the upper right hand corner. 426 grams, 21 x 21.5 cm



Ex Alistair McAlpine collection, 2004. Ex central London gallery.

According to Leroy, one of the first scholars who extensively studied Ethiopian paintings, the development in Ethiopian art from the middle of the 16th century to the middle of the 18th century followed only one style which emerged as the Gondarene style, named after the capital of the Ethiopian Kingdom, Gondar. Saint George is spearing the dragon with a cross-spear, of which 17th century originals are still visible in the Lalibela Museum. The anatomy of the horse recalls 17th century style, but the horse trappings with the second collar and the high cantle of the saddle are already visible in 15th century icons.