Mixed Pendant Group

Mixed group of silver-coloured metal fittings including a hollow-formed model of the Nandi cow and calf, a belt-fastener with pointillé peacocks, and an appliqué of Ganesha. 89 grams total, 51-57 mm



Property of a South West London gentleman.

Painted on board with mounting panels to the reverse, gessoed surface with central painting of the Virgin of Kazan (also called the Virgin of Tenderness) in a recess, comprising the bust of Mary and standing figure of infant Jesus, both nimbate, monograms to the upper corners; miniature figures of Saints Peter and Paul to the border; on each side of the head of the Virgin inscriptions 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ) above the child, three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); Yaroslavl School. 1.39 kg, 32 cm high

Fine condition.

Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 11544-196360.

The original icon, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.

Comprising two statuettes depicting Minerva and an armoured soldier holding an shield, and a medieval style ring. 311 grams total, 2.5-12.5 cm



Acquired on the UK art market. Property of a Shropshire private collector.