Mixed Pendant Group

Mixed group of silver-coloured metal finger rings with inset cabochon intaglios, and one with a lion-mask. 76 grams total, 25-36 mm



Property of a South West London gentleman.

Depicting a female figure standing in a landscape with trees, water and birds, holding an instrument over her shoulder; set in a reveal within a glazed wooden frame. 559 grams, 27.5 x 20 cm

Fine condition, some worm holes.

Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art.

Painted on board with reinforcing panel to the reverse, gessoed surface with painting depicting the resurrected Christ revealing his wounds to St Thomas, who is reaching towards the fifth stigmata with his raised forefinger, the apostles having gathered around the pair witnessing the inspection of the wounds; Christ standing within a framed doorway with gilt dome above. 1.58 kg, 48.5 cm high

Fine condition, some repainting.

Ex property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11545-196368.

The icon represents a well known iconography from the New Testament, Gospel of Saint John, chapter 20, in which the resurrected Christ stands beside ‘Doubting Thomas’, supposedly the most sceptical of the twelve apostles. In this chapter Christ appears to Thomas’s fellow disciples while Thomas himself is absent and upon his return, Thomas’s friends tell him about Christ’s resurrection, which Thomas does not believe in. After eight days pass, Jesus comes again, and this time Thomas is confronted by his Lord: “Reach hither thy finger, and behold my hands, and reach hither thy hand, and thrust it into my side, and be not faithless, but believing.”