Minoan Stone Vessel

Standing erect on a square base wearing an ankle-length robe with mantle with segmented edge draped from the left shoulder, left arm straight at his side right arm bent and fist clenched at the breast; hair cut in a bobbed style with frontal band, collected in a Near-Eastern head-cloth falling down his back; bare feet with toes emphasised; mounted on a custom-made stand. 7.3 kg, 55.5 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12046-217199.

The sculpture is a good example of the mixed Near Eastern and Attic Ionian styles reflected in Cypriot sculpture. Cypriot art was often influenced by both Greek and Near Eastern styles, although in phase H of the archaic period (680-400 B.C.) the Greek influence became stronger, perhaps as a result of intensified trade and political contacts between the continent, Ionia and the Aegean islands.

Broad shallow body with disc base, thick rim with pierced lug handle; repaired. 635 grams, 24.5 cm wide



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Important Cypro-Geometric ceramic types include white-painted and bichrome wares, often decorated with geometric motifs and showing inventive shapes; slightly later, a distinctive black-on-red wares was developed on Cyprus, partly as a result of contact with the Levant.

Group of discoid clay moulds for casting contemporary counterfeit coins. 40.1 grams total, 29-31 mm



Private collection formed in the 1990s. Acquired from a central London gallery. Property of an Essex, UK, gentleman.