Mesopotamian Black and Grey Mottled Stone Macehead

Comprising seven circular mounts, each with a repoussé winged lion, depicted in a seated pose with its head turned, pierced thrice through the outer rim. 1.92 grams total, 15 mm each



Private English collection, formed between the late 1970s and early 1990s. Private collection, UK.

Gold held immense significance in the Achaemenid Empire, not only as a symbol of wealth and divine favour but also as a practical medium for art, currency, and royal regalia. It was used in architectural decoration, lavish court objects, jewellery, and ceremonial ware, often reflecting the empire’s vast wealth and cosmopolitan reach. Among the prominent motifs in Achaemenid art is the lion-griffin—a mythical creature combining the body of a lion with the wings of an eagle. This powerful image, frequently seen in gold appliqués, seals, and metalwork, conveyed themes of imperial power, protection, and control over both terrestrial and celestial realms. The lion-griffin stood as an emblem of dominance and guardianship, befitting the grandeur of Persia’s imperial ideology.

Squat in profile with basal disc, raised panel to the shoulder with lotus flower detailing, low neck and everted rim. 117 grams, 78 mm



London art market, 1980s-2000s. Private collection, London, UK.

Modelled as a stylised standing nude figure with elongated body, stylised head with a conical helmet. 19 grams, 64 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.