Medieval Thames Pewter Bifacial Wine Tavern Token

Including examples for horses, donkeys, ponies and possibly oxen. 7.65 kg total, 8.5-15 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones. 30 kg, 33.5 cm



Acquired from Antoine Boccador-Lieveaux, 2005. Ex central London gallery. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11739-202053.

The iconography of this capital is probably associated with the biblical story of Daniel in the lion's den. Capitals like this were part of an extensive decorative program which characterised Spanish and the French churches especially in the late 12th century A.D., with the advent of the Cistercian style. Foliate capitals ornamented the churches of Las Claustrillas, Aguilar, Gama, and other Christian sites of Southern France and Northern Spain. Capitals decorated with similar acanthus foliage can be found in churches in Burgundy, for instance at Avallon, Vezelay, and Donzy-le-Pré. However, figurative elements of the old Romanesque art also persisted.

Comprising a single-edged blade, rivets for a scale tang; remains of quillon. 132 grams, 31.5 cm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

This is a weapon rather than a domestic knife, and is depicted as a sidearm for soldiers and knights alike from various iconography. This type of dagger was in use from the 14th to mid 16th century, this example finds similarities with Hauswehrs used in Eastern Europe during the 15th-16th centuries A.D.