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LOT 1699
Medieval 'Thames' Glazed Floor Tile Fragment Group
14TH-15TH CENTURY A.D.
4 1/2 - 5 1/8 in. (1.65 kg total, 11.6-13.1 cm).
Including one with a glazed fret design, one with radiating combs and another type. [3, No Reserve]
ProvenanceFound Billingsgate spoil from the Thames foreshore, London, UK, circa 1984.
Property of an Essex collector.
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AUCTIONS:
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Medieval Silver Ring with Snake
Circa 15th-16th century A.D.Sold for (Inc. bp): £72
Comprising a D-section hoop, the bezel with eight points, engraved with a stylised slithering snake within a lozenge border. 3.00 grams, 19.51 mm overall, 16.27 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)
UK private collection before 2000. On the UK art market. Property of a London gentleman. -
Medieval Lead Figure of a Noble Woman
14th century A.D.Sold for (Inc. bp): £13
Modelled in the round standing female figure wearing an elegantly draped ankle-length robe, left arm extended; mounting spike to head; possibly image of a saint 103 grams, 12 cm
Found near Wetwang, East Yorkshire, UK. Acquired circa 2005. Ian Wilkinson collection, Nottinghamshire, UK.
Despite the classical-influenced drapery, the figure has a belt around her waist and wears a fitted kirtle (dress), a style of clothing from the 14th century. Similar statuettes, maybe votive images of saints, have been found across England. -
Medieval Embroidered Orphrey with Six Saints
Southern Netherlands, 15th century A.D.Sold for (Inc. bp): £1,560
Rectangular textile panel with six figural scenes within laid work borders; each figure a nimbate saint with couched robes, satin stitch facial features, threaded sequins and other detailing; modern fabric backing. 502 grams, 104 cm
with SVV Prunier, 20 May 2018, no.86. Ex central London gallery.
This substantial embroidered panel comes from an ecclesiastic Dalmatic composed up of various sections, each section comprising an applied figure embroidered in yellow-brown colours with the addition of light blue in some figures. From top to bottom two female saints, probably the Virgin Mary and her Holy Mother Anna; in the second central panels are represented Saint Peter, keys in hand, and probably his brother Andrew. Saint Augustine and Saint Thomas Aquinas are possibly the subjects of the last two vertical panels. The embroidery technique used is including fine worked nué, in which metallic threads are laid down and worked over in silk, with split stitch.
