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LOT 0377
Medieval Stone Column Capital with Lion and Human Face
SPAIN OR SOUTHERN FRANCE, LATE 12TH CENTURY A.D.
13 1/4 in. (30 kg, 33.5 cm).
Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones. [No Reserve]
ProvenanceAcquired from Antoine Boccador-Lieveaux, 2005.
Ex central London gallery.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11739-202053.
Cf. D’Emilio, J., ’The Royal Convent of Las Huelgas: Dynastic Politics, Religious Reform and Artistic Change in Medieval Castile’ in Studies in Cistercian Art and Architecture 6, Kalamazoo, 2005, pp.191-282, figs.11,13,15 (window Capital of Saint Andres de Arroyo, apse and South Chapel), 34 (Noyon cathedral), 36 (Laon cathedral); Igarashi-Takeshita, M., ‘Les lions dans la sculpture romane en Poitou’ in Cahiers de civilisation médiévale, 23e année (n°89), Janvier-mars 1980, pp.37-54.
FootnotesThe iconography of this capital is probably associated with the biblical story of Daniel in the lion's den. Capitals like this were part of an extensive decorative program which characterised Spanish and the French churches especially in the late 12th century A.D., with the advent of the Cistercian style. Foliate capitals ornamented the churches of Las Claustrillas, Aguilar, Gama, and other Christian sites of Southern France and Northern Spain. Capitals decorated with similar acanthus foliage can be found in churches in Burgundy, for instance at Avallon, Vezelay, and Donzy-le-Pré. However, figurative elements of the old Romanesque art also persisted.
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AUCTIONS:
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LOT 0377
Medieval Stone Column Capital with Lion and Human Face
Sold for (Inc. bp): £1,950
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Medieval Iron Knife Blade Group
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Comprising blades of various dates and profiles, including examples with tang or remains of a handle. 1.3 kg total, 10-22.5 cm
Acquired 1990s-early 2000s. East Anglian private collection. -
Medieval Stained Glass Panel with The Crucifixion
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Two nimbate figures standing either side; polychrome detailing; panel within a lead came border with repair and two modern suspension loops to top edge. 269 grams, 20.2 cm
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Medieval Silver 'Edmund Plantagenet, Earl of Rutland' Royal Hawking Vervel
Circa 1440-1460 A.D.Sold for (Inc. bp): £9,750
Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face. 0.56 grams, 8 mm
Acquired in the 1960s. Ex Bursnall collection, Leicestershire, UK. From the collection of a North American gentleman.
Unique and with links to royalty and the Wars of the Roses. Edmund Plantagenet, Earl of Rutland was executed after the Battle of Wakefield (probably by John Clifford) and was the son of Richard Plantagenet, 3rd Duke of York (a great-grandson of Edward III, father of Edward IV and one of the most powerful English magnates during the Wars of the Roses between the Yorkists and Lancastrians). The first Earl of Rutland was Edmund Plantagenet (grandson of Edward III and executed following the Southampton Plot against Henry V), uncle to Richard. The Earldom of Rutland has historically been closely linked to the Duchy and House of York.