Medieval Socketted Iron Crossbow Bolt Head with Heraldic Shield Maker's Mark

Comprising: a square-section bar with the ends scrolled in opposite directions; matched pair of outward-facing detailed openwork castings, each cheek-piece showing a god with a horned head above a figural scene with two opposed human figures in profile advancing towards a column with profile animal heads and other detailing; accompanied by a custom-made stand. 1.17 kg total, 19.5 cm wide including stand



From an old private Japanese collection. Acquired from Shimojo Art, Tokyo, Japan, in 2014. From the private collection of a North West London, UK, gentleman. Accompanied by a previous collection photograph, and the original official Japanese cultural export certificate issued by the Director of Art and Curatorial Division, Cultural Properties Department, Agency for Cultural Affairs, and invoice, dated 7th November 2014. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12050-217397.

In the Mesopotamian world the forces of chaos are often represented by animals and the gods are seen as the restraining force to these unpredictable powers that could harm the human world. The presence of horns on these figures distinguishes them as being divine and is often found being worn by kings who saw themselves as close to the gods.

Comprising a pair of ram-shaped cheek-pieces with a hole through the body for the straight mouthpiece with looped terminals. 690 grams, 17.5 cm wide



From a collection formed in Paris in the 1990s.

The horse bits were transformed by Luristan people in to expressions of applied art. Metalworkers employed animal motifs, both realistic and imaginary, for their cheek-pieces. The question of whether these horse bits were for real use or only for use in a funerary context is superfluous, as signs of wear have been documented, and the goads and loops on interiors are functionally designed. The use of such horse bits is clearly documented in Assyrian reliefs of the time of Sennacherib (705-681 B.C.).

Comprising an ovoid body with a rectangular void to accept a strap; the lower section broad with a rib to the underside, the upper flat in section with latten panel inlay to one face. 291 grams, 16 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.