Medieval Silver Ring with Beast

Depicting Mary clad in red and green, with a green halo outlining her head, raising her hands in exclamation. 1.92 kg, 53 x 23.5 cm



Eglise Saint-Malo, Dinan, France, by repute. Acquired from the above by Mr and Mrs Junius P. Morgan, Princeton, New Jersey, USA. The Dalva Brothers collection. Accompanied by a previous cataloguing document. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12994-246433.

Although her garments are uncharacteristic of figures of the Virgin, she nevertheless almost certainly represents Mary as she appeared in a scene of the Annunciation. Both in terms of the choice of colours, and in the style and treatment of her features and drapery folds, she can be compared very closely with window panels from the third quarter of the thirteenth century removed from the Church of Saint Radegonde in Poitiers, including a window now in the Glencairn Museum in Bryn Athyn which shows in its lowermost vignette an identically dressed Virgin riding side saddle on a donkey during her flight into Egypt (fig. 1a-b).

Showing the robed saint seated on a low chair with a lion, his emblem, at his feet, originally an element from a processional cross; accompanied by a custom-made display stand.
 21.37 grams, 36 mm high



Private collection, UK.

Trilobate in plan with openwork triangle between three roundels with hatched fields, the upper two surmounted by crosses, depicting scenes from Christ's life: the crucifixion, resurrection and Christ at the Column in relief. 3.39 grams, 31 mm



Ex European collection, 1990s. Ex Cambridgeshire, UK, collection.

In 1383 AD, after fire in the town of Bad Wilsnack, Germany) three consecrated communion hosts were found undamaged in the ruins of the church. According to the legend, they were sprinkled with the Holy Blood of Christ, which made Bad Wilsnack a famous pilgrimage site. The resultant pilgrim badges were distinctive in shape with three circles arranged in a triangle and painted in red, referring to this miracle. Although the miracle was doubted by Reformation period scholars like John Hus, the final blow came in 1552, when the miraculous communion hosts were publicly burned.