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LOT 1828
Medieval Silver-Gilt Cross Pendant
14TH-15TH CENTURY A.D.
1 3/8 in. (5.1 grams, 35 mm).
Expanding arm cross pendant with integral suspension loop and an inset red carnelian cabochon set at the centre of the cross.
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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Illuminated Medieval Book of Hours Manuscript Page
Flemish, circa 15th century A.D.Sold for (Inc. bp): £995
Mounted in a bifacial frame to display recto and verso; band of detailed floral ornament to the outer edge with central figure in a short pea-jacket; fifteen-line block of bastarda-script text with Latin text (e.g. Pinguescent speciosa deserti: et exultatione colles accingentur from Psalm 64:13); coloured versals and decorative panels. 142 grams total, 26.6 x 20 including mount, window: 14.5 x 8.8 cm
Ex Hedwig collection, Brussels, thence by descent, 2000s. Accompanied by a Belgian cultural export licence. -
Large Medieval Bronze Door Key with Animal Heads on Handle
11th-12th century A.D.Sold for (Inc. bp): £260
Comprising a tubular-section shank, circular bow with lateral beast-heads, large rectangular bit with clefts and grooved wards. 61.9 grams, 10.3 cm
Found Gloucestershire, UK. -
Medieval Stained Glass Panel of the Annunciate Virgin
Western France, 1250-1275 A.D.Sold for (Inc. bp): £5,460
Depicting Mary clad in red and green, with a green halo outlining her head, raising her hands in exclamation. 1.92 kg, 53 x 23.5 cm
Eglise Saint-Malo, Dinan, France, by repute. Acquired from the above by Mr and Mrs Junius P. Morgan, Princeton, New Jersey, USA. The Dalva Brothers collection. Accompanied by a previous cataloguing document. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12994-246433.
Although her garments are uncharacteristic of figures of the Virgin, she nevertheless almost certainly represents Mary as she appeared in a scene of the Annunciation. Both in terms of the choice of colours, and in the style and treatment of her features and drapery folds, she can be compared very closely with window panels from the third quarter of the thirteenth century removed from the Church of Saint Radegonde in Poitiers, including a window now in the Glencairn Museum in Bryn Athyn which shows in its lowermost vignette an identically dressed Virgin riding side saddle on a donkey during her flight into Egypt (fig. 1a-b).
