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LOT 1698
Medieval Orphrey Panel with Angels
GERMANY, RHINE VALLEY, CIRCA 1500 A.D.
47 1/4 in. (540 grams, 1.20 m long).
The panel displaying three crenelated turrets arranged vertically, a yellow-haired angel with a diadem in the hair facing out from each, beneath an ogival arch; remains of green, blue, yellow and metallic coloured threads; silk on woven fabric backing. [No Reserve]
Provenancewith Bonhams, 9 december 2009, lot 41.
Ex central London gallery.
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AUCTIONS:
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Medieval Stained Glass Roundel with Joseph in Front of the Pharaoh
Northern France or Southern Low Countries, circa 1540 A.D.Sold for (Inc. bp): £715
Displaying polychrome detailing, the French word 'CONSEIL' (advice, counsel) shown to bottom right; panel within a lead came border with two modern loops for suspension; some cracking. 328 grams, 27.8 cm
Private collection, Paris. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.202093. -
Large Medieval Silver Ring with Agate Cabochon
Circa 14th-15th century A.D.Sold for (Inc. bp): £572
The carinated hoop expanding at the shoulders, with raised geometric design, circular bezel with agate cabochon in claw setting. 14.03 grams, 32.10 mm overall, 23.14 mm internal diameter (approximate size British Y 1/2, USA 12 1/4, Europe 28.2, Japan 27)
Acquired 1990s-early 2000s. East Anglian private collection. -
Late Medieval Ethiopian Wooden Diptych Depicting the Crucifixion and Resurrection
Circa 1550 A.D.Sold for (Inc. bp): £286
Composed of a pair of recessed panels forming folding doors; the right panel with painted crucifixion scene depicting robed Mary, John the Evangelist and another apostle, angels collecting the blood in cups; the left panel with nude Adam and Eve with deceased reaching up towards resurrected Christ holding the standard of Victory in his left hand, two holy women, the myrrh bearers (Mary Magdalen and Mary, mother of Jesus) to the left. 499 grams, 24 cm high each
Ex French private collection, 2000. Ex central London gallery.
The icon shows the Western influence on Ethiopian art. The Crucifixion image contains many elements of this iconography which are found in many Oriental and Western Art of Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. As in the majority of the Resurrection icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder.
