Medieval Lead Seal Matrix Collection

Modelled in the half-round nimbate figure on a baseline; attachment loop to reverse. 3.63 grams, 31 mm



From a private Merseyside, UK, collection; formed since circa 2000.

Square composite panel with brown-hued vitreous enamel and pink pigment, irregular profile bust set into the diamond quarries. 838 grams, 30.3 x 27 cm



Ancient Arms and Armour, Stained Glass, Coffrets and Furniture. Property from a New York Collection, American Art Association, New York, 23 November 1923, no.110 (as Flemish XV-XVI). The Monastery Stained Glass, 2004. Accompanied by a previous cataloguing document.

The loose, fluid brushwork and fine touches of pink sanguine pigment on this male head place him firmly in the first decades of the sixteenth century, a dating supported further by the visible hemline of the fashionable pleated shirt covering his neck. These are all characteristic features of Southern Netherlandish stained glass from this period, and parallels offered by programs such as the early sixteenth-century windows in Antwerp Cathedral, the c. 1500 glazing scheme at Sint Gummarus church in Lier just outside Antwerp, as well as at sites such as Notre Dame du Sablon in Brussels, suggest an artist working in Brabant in the early years of the century.

D-shaped in section with blackletter legend '+ala ven ture' (a l'aventure, meaning with luck/ perhaps/ if possible) and fronds between. 1.74 grams, 21.27 mm overall, 18.81 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16)



Acquired on the UK art market in the 1980s. From an East Anglian private collection.