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LOT 1825
Medieval Lead Seal Matrix Collection
CIRCA 13TH CENTURY A.D.
1 1/4 - 1 3/4 in. (52.8 grams total, 31-44 mm).
Scaphoid and discoid types, each with a central motif and a surrounding impressed legend; the circular one reading 'S' ROBERTI FIL GERVASI' (seal of Robert son of Gervase). [3, No Reserve]
ProvenanceFrom an old Nottingham, UK, collection.
From the property of a late Lincolnshire, UK, gentleman.
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AUCTIONS:
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Late Medieval Gold Ring
15th-16th century A.D.Sold for (Inc. bp): £286
Comprising a slender C-shaped hoop, hollow raised bezel with scalloped border. 2.21 grams, 22.42 mm overall, 18.73 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)
From a UK collection since before 1990. -
Tudor to Post Medieval Bronze Artefact Collection
16th-20th century A.D.Sold for (Inc. bp): £33
Including seal fob, jew's harp, hooked tag and other items. 130 grams, 24-78.5 mm
Found Gloucestershire, UK. Acquired from the early 1980s. From the private collection of a late Gloucestershire, UK, gentleman; thence by descent. -
Medieval Stained Glass Head of a Man
Netherlands, Brabant, 1500-1520 A.D.Sold for (Inc. bp): £1,170
Square composite panel with brown-hued vitreous enamel and pink pigment, irregular profile bust set into the diamond quarries. 838 grams, 30.3 x 27 cm
Ancient Arms and Armour, Stained Glass, Coffrets and Furniture. Property from a New York Collection, American Art Association, New York, 23 November 1923, no.110 (as Flemish XV-XVI). The Monastery Stained Glass, 2004. Accompanied by a previous cataloguing document.
The loose, fluid brushwork and fine touches of pink sanguine pigment on this male head place him firmly in the first decades of the sixteenth century, a dating supported further by the visible hemline of the fashionable pleated shirt covering his neck. These are all characteristic features of Southern Netherlandish stained glass from this period, and parallels offered by programs such as the early sixteenth-century windows in Antwerp Cathedral, the c. 1500 glazing scheme at Sint Gummarus church in Lier just outside Antwerp, as well as at sites such as Notre Dame du Sablon in Brussels, suggest an artist working in Brabant in the early years of the century.
