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LOT 0383
Medieval Lead Papal Bulla Seal of Pope Alexander IV
1254-1261 A.D.
1 1/2 in. (49 grams, 39 mm).
(Rinaldo Di Segni); First Type, obverse with facing busts of Saints Paul and Peter with 'SPA SPE' inscription above and long cross between; reverse with 'ALE XANDER PP IIII' inscription in three lines.
ProvenanceEx 6th Earl of Arran (Sir Arthur Gore), 1920.
LiteratureCf. de Gray Birch, W., Seals in the Department of Manuscripts in the British Museum, Vol. 6, p.275, no. 12,791, pl. VII; D'Arcq, no. 6049 (from a Bull dated 1255 AD).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0383
Medieval Lead Papal Bulla Seal of Pope Alexander IV
Sold for (Inc. bp): £520
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Medieval Stained Glass Panel with City Gate
France, circa 1500 A.D. or laterSold for (Inc. bp): £208
With painted scene of an overseer with a scourge and team of harvesters outside a fortified city gate; lead cames forming a frame with two suspension rings, repaired. 148 grams, 16 cm
Cracked, repaired.
Private collection, Paris. -
Medieval Wooden 'True Face of Christ' Icon
Castile, circa 1500-1520 A.D.Sold for (Inc. bp): £1,560
Depicting an idealised image of Christ on a gilt background, stylised cross behind; wide eyebrows and double-pointed beard; the hair falling on the shoulders in neat locks; wearing a red tunic with gold embroidery reading 'REX + REGUM' for 'king of kings', pearled edge. 1.28 kg, 28.5 cm
Excellent condition
with Ansorena, 10 November 2014, lot 456. Ex central London gallery. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11742-202064.
The crimson tunic of our painting is clearly derived from the Van Eyck model, where crimson is associated with the Majesty of Christ. Christ is in fact shown here as the Saviour of the World (Salvator Mundi), a popular image in 15th century paintings. -
Medieval Iron Knife with Bronze Pommel
Circa 1500 A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £80
Comprising a single cutting edge and scale tang; bifacial pommel engraved with a female figure to one face and an enigmatic design to the other. 35 grams, 17 cm
Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.
There were four essential ways to carry the small knifes in late Middle Ages: a) with the scabbard tucked diagonally behind belt, without suspension loop; b) without scabbard, simply thrust through the purse of the belt; c) with the scabbard tied horizontally at waist with suspension holes in the widened handle flap; d) suspended vertically from thong looped over the belt, in the scabbard.
