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LOT 1869
Medieval Knight's Enamelled Bronze Horse Harness Pendant
13TH-14TH CENTURY A.D.
1 3/8 in. (7.09 grams, 37 mm).
Comprising a central disc with eight radiating lobes, each with a shallow recess to accept enamel, incised ring enclosing a perching bird; integral loop. [No Reserve]
ProvenanceFound Gloucestershire, UK.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 1869
Medieval Knight's Enamelled Bronze Horse Harness Pendant
Sold for (Inc. bp): £91
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Medieval and Other Bronze Artefact Group
14th-20th century A.D.Sold for (Inc. bp): £39
A mixed group of artefacts, some fragmentary, including arrowheads, mounts and a spoon. 318 grams total, 1.4-13.3 cm
From a Dunmow, UK, collection; formed from 1970. -
Medieval Iron Horse Shoe Plate
14th-15th century A.D.Sold for (Inc. bp): £13
Crescentic in plan with rectangular void, round attachment holes. 114 grams, 11 cm
Acquired 1990s-early 2000s. From an East Anglian private collection. From the property of a late Lincolnshire, UK, gentleman. -
Medieval Stained Glass Panel of the Annunciate Virgin
Western France, 1250-1275 A.D.Sold for (Inc. bp): £5,460
Depicting Mary clad in red and green, with a green halo outlining her head, raising her hands in exclamation. 1.92 kg, 53 x 23.5 cm
Eglise Saint-Malo, Dinan, France, by repute. Acquired from the above by Mr and Mrs Junius P. Morgan, Princeton, New Jersey, USA. The Dalva Brothers collection. Accompanied by a previous cataloguing document. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12994-246433.
Although her garments are uncharacteristic of figures of the Virgin, she nevertheless almost certainly represents Mary as she appeared in a scene of the Annunciation. Both in terms of the choice of colours, and in the style and treatment of her features and drapery folds, she can be compared very closely with window panels from the third quarter of the thirteenth century removed from the Church of Saint Radegonde in Poitiers, including a window now in the Glencairn Museum in Bryn Athyn which shows in its lowermost vignette an identically dressed Virgin riding side saddle on a donkey during her flight into Egypt (fig. 1a-b).
