Medieval Iron Scythe Group

Each barrel-shaped with flared rim, one pinched into a trefoil. 42 grams total, 24-25 mm



Property of a South Australian gentleman; from his father's collection formed in the 1960s-2000s; thence by descent. From the property of a late Lincolnshire, UK, gentleman.

Square composite panel with brown-hued vitreous enamel and pink pigment, irregular profile bust set into the diamond quarries. 838 grams, 30.3 x 27 cm



Ancient Arms and Armour, Stained Glass, Coffrets and Furniture. Property from a New York Collection, American Art Association, New York, 23 November 1923, no.110 (as Flemish XV-XVI). The Monastery Stained Glass, 2004. Accompanied by a previous cataloguing document.

The loose, fluid brushwork and fine touches of pink sanguine pigment on this male head place him firmly in the first decades of the sixteenth century, a dating supported further by the visible hemline of the fashionable pleated shirt covering his neck. These are all characteristic features of Southern Netherlandish stained glass from this period, and parallels offered by programs such as the early sixteenth-century windows in Antwerp Cathedral, the c. 1500 glazing scheme at Sint Gummarus church in Lier just outside Antwerp, as well as at sites such as Notre Dame du Sablon in Brussels, suggest an artist working in Brabant in the early years of the century.

Vesica-shaped with strap and loop to reverse; central field with incuse fleur-de-lys, border with legend 'S* ROBERTI MARINISSNI'. 16.6 grams, 38 mm



Ex Paul Moore, 1990s. Accompanied by a laminated Paul Moore identification card.