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LOT 1761
Medieval Iron Horse Shoe Group
CIRCA 14TH-16TH CENTURY A.D.
4 1/2 - 6 1/4 in. (1.8 kg total, 11.5 - 16 cm).
Of various sizes, one with an inner plate within the arc of the shoe. [5, No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
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AUCTIONS:
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Medieval Stained Glass Panel with Christ before Pilate
Southern Germany, perhaps Ravensburg, circa 1420 A.D.Sold for (Inc. bp): £8,450
Rectangular glass panel in lead frame; nimbate figure of Christ confronting Pontius Pilate in a landscape. 2.65 kg, 60.5 x 36 cm
From the estate of Lloyd and Margit Cotsen, 2023. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12147-217458. -
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Medieval Lead Weight Collection
Circa 14th-16th century A.D.Sold for (Inc. bp): £39
Primarily discoid and shield-shaped in plan, displaying floral, cruciform and enigmatic designs in relief. 664 grams total, 35-63 mm
Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.
Shield-shaped weights are common detector finds. They are widespread across England and most common in the north of the country. Lead discs are very common as well, with both often engraved with the badge of the trader. -
Medieval Embroidered Orphrey with Six Saints
Southern Netherlands, 15th century A.D.Sold for (Inc. bp): £1,560
Rectangular textile panel with six figural scenes within laid work borders; each figure a nimbate saint with couched robes, satin stitch facial features, threaded sequins and other detailing; modern fabric backing. 502 grams, 104 cm
with SVV Prunier, 20 May 2018, no.86. Ex central London gallery.
This substantial embroidered panel comes from an ecclesiastic Dalmatic composed up of various sections, each section comprising an applied figure embroidered in yellow-brown colours with the addition of light blue in some figures. From top to bottom two female saints, probably the Virgin Mary and her Holy Mother Anna; in the second central panels are represented Saint Peter, keys in hand, and probably his brother Andrew. Saint Augustine and Saint Thomas Aquinas are possibly the subjects of the last two vertical panels. The embroidery technique used is including fine worked nué, in which metallic threads are laid down and worked over in silk, with split stitch.
