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LOT 0343
Medieval Gold Brooch with Turquoise and Pearls
13TH-14TH CENTURY A.D.
1/2 in. (1.29 grams, 14 mm).
A delicate annular brooch set with three turquoise cabochons and three seed pearls, the space between the cells separated with a slender collar.
ProvenancePrivate collection, UK.
FootnotesAn annular brooch is a type of brooch that is circular in shape, forming a complete ring, they were worn by both men and women of all social classes. The word 'annular' comes from the Latin word 'annulus' meaning ring. These brooches were popular in medieval Europe, particularly from the 13th to 15th centuries, and were used to fasten clothing such as tunics and cloaks.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Medieval Bronze Ring with Pentagram
Circa 14th-16th century A.D.Sold for (Inc. bp): £104
Slender, decorative hoop and discoid bezel with a pentagram. 2.86 grams, 20.62 mm overall, 17.48 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Medieval and Later Thimble Group
Circa 15th-20th century A.D.Sold for (Inc. bp): £59
Including beehive, annular and other types. 225 grams total, 13-25 mm
Found Suffolk, UK. (UK buyers only, not for export) -
Medieval Stained Glass Head of a Man
Netherlands, Brabant, 1500-1520 A.D.Sold for (Inc. bp): £1,170
Square composite panel with brown-hued vitreous enamel and pink pigment, irregular profile bust set into the diamond quarries. 838 grams, 30.3 x 27 cm
Ancient Arms and Armour, Stained Glass, Coffrets and Furniture. Property from a New York Collection, American Art Association, New York, 23 November 1923, no.110 (as Flemish XV-XVI). The Monastery Stained Glass, 2004. Accompanied by a previous cataloguing document.
The loose, fluid brushwork and fine touches of pink sanguine pigment on this male head place him firmly in the first decades of the sixteenth century, a dating supported further by the visible hemline of the fashionable pleated shirt covering his neck. These are all characteristic features of Southern Netherlandish stained glass from this period, and parallels offered by programs such as the early sixteenth-century windows in Antwerp Cathedral, the c. 1500 glazing scheme at Sint Gummarus church in Lier just outside Antwerp, as well as at sites such as Notre Dame du Sablon in Brussels, suggest an artist working in Brabant in the early years of the century.