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LOT 0413
Medieval Globular Tripod Jug
GERMANY, LOWER SAXONY (?), 14TH CENTURY A.D.
8 1/2 in. (1.05 kg, 21.5 cm high).
Wheel-thrown vessel with oblate profile, three small flange feet, rounded mouth with inturned rim and short pinched spout, ribbed strap handle to the rear' inked accession number to the underside: 'W.M. V.16.'; old card catalogue label with remains of wax seal and handwritten 'V / No.16' and pencilled 'Welfen Museum'. [No Reserve]
ProvenanceWelfen Museum, circa 1860; thence by descent at Marienburg Castle, Hanover, Lower Saxony, Germany.
with Sotheby's, Royal House of Hanover Sale, 10 October 2005, no.1254.
Accompanied by an old card catalogue label with remains of wax seal and handwritten 'V / No.16' and pencilled 'Welfen Museum'.
Accompanied by a copy of a previous cataloguing page.
Evidence of soot accretion to the underside, implying use on or beside a hearth.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Medieval Chrismatory with Limoges Panels
France, Limoges, circa 1220 A.D.Sold for (Inc. bp): £22,100
Inner wooden casket with chamfered rim and separate lid, encased within rectangular gilt-bronze panels with enamel decoration, four gilt-bronze stud feet to the underside; the lid with three nimbate figures, a female saint with palm frond and two flanking figures holding books, all reserved on a blue field with interstitial polychrome rosettes; Side A: nimbate bearded bust of Christ in Majesty with right hand in gesture of benison, left hand supporting a book, flanked by two winged nimbate angels; Side B: nimbate bust of a winged angel in a roundel; Side C: geometric repeating pattern of lozenges with floral fill; Side D: mirror image of Side B. 760 grams, 14.5 cm
John Pierpont Morgan, New York, and London, until 1917. Private collection, Suffolk. Accompanied by a copy of a previous four page illustrated cataloguing document with references. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12039-212154.
The two end-panels are believed to have been added at a later date than the longer panels and may have been trimmed slightly along the lower edges. The panels are attached with domed pins of various types. -
Medieval Spanish Iron Doorknocker
1440-1460 A.D.Sold for (Inc. bp): £260
Hand-forged with long columnar body, waisted neck, conical head with impressed points for the eyes and triangular ears, spiral tail; the fore-legs formed as a conical block corresponding to a drum-shaped pad; hindlegs replaced by a pivot; mounted on a wooden stand. 987 grams total, 16 cm including stand
Ex-Luis Elvira, 2005. -
Medieval Romanesque Marble Head of a Saint
Late 12th-13th century A.D.Estimate: £3,500 - 4,500 (‡+bp*)
Opening Bid: £1,750
Carved naturalistically in the round as a mature male figure with short wavy hair, full beard and moustache, his brow furrowed and mouth held slightly ajar; repaired. 3.8 kg, 18 cm
Acquired in Europe before 1996. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11809-206816.
The head was carved as an image of a saint, Apostle or a prophet. The accomplished and sophisticated style of carving on this head can be compared to some of the most celebrated Romanesque buildings of Southern France. The carving of the head resembles the representations of heads and faces of 12th century French Romanesque art, for example those of Saint Trophime in Arles. This imposing head once served as an important architectural part of a lavishly decorated church, possibly in western France. Its form and the size suggest that the head was not only decorative but that it would have been structurally important – perhaps part of a row of statues of apostles and prophets like those depicted on the Saint Trophime façade.
