Medieval Gilt Bronze Knight's Horse Harness Cross Pendant Group

Octagonal in plan with scooped sides, enamelled design of a facing bearded bust with nimbus. 19 grams, 42 mm



Found Norfolk, UK. From an old private collection of Norfolk, UK, gentleman, formed since 1998.

Comprising a plain hoop with frond to each shoulder, square cell to the bezel with claw setting; inset probably older blue glass cloison. 7.10 grams, 25.77 mm overall, 19.64 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

Group of nine carved bone panels from a casket, most with a tapering upper third and openwork vegetation at the top; comprising: young man resting his hands on a teardrop shield, beside a fir-tree, looking right; winged nimbate angel in floor-length robe reaching upwards towards a three-horned crown; winged nimbate angel in floor-length robe holding a naked sword in her right hand and scales in her left; winged nimbate figure in floor-length robe holding a serpent in each hand, with three faces conjoined; winged angel in floor-length robe sitting on a dais, holding a discoid object with a bifid handle (perhaps a lute); winged nimbate angel in floor-length robe holding a chalice in her right hand and cross in her left; winged nimbate angel in floor-length robe holding a flaming torch in her right hand and grasping the raised hands of a child with her left; winged nimbate angel in floor-length robe with two ewers, pouring liquid from one to the other; young man resting his hands on a teardrop shield, beside a fir-tree, looking left; mounted on a wooden display stand. 1.08 kg total, 48.5 cm wide including stand



Acquired Delchar, London, 2011. Private collection, Suffolk, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12291-221716.

The Bottega degli Embriachi was an important producer of artworks carved in bone (and occasionally ivory) in a framework of inlaid wood. It was active in Northern Italy from circa 1375 A.D. until circa 1433. It relocated from Florence to Venice about 1395. The Bottega was especially known for 'marriage caskets' with tall columnar lids, with carved bone figural panels. Some of the panels here are evidently Christian (the figure with the cross and chalice) while others are perhaps purely symbolic (Justice with sword and scales) and some are simply puzzling (e.g. the three-faced figure with serpents).