Medieval Floor Tile with Running Boar

Central panel decorated with a heart pierced by two arrows and inscription: 'qui de bon [COER] eyme', and verso openwork carving of blind interlaces and inscription: 'de bon [COER] donne', translating to 'He who loves from the heart, gives with a good heart'; probably given as a love token. 58 grams, 15 cm



Private collection, USA. Private collection, Suffolk. Accompanied by a copy of an illustrated catalogue document.

Medieval specialist Dr Malcolm Jones writes: 'The same formula and use of the rebus heart-device can be found engraved on contemporary jewellery, e.g. on a 14th/15thC English gold ring recently on the French antique jewellery market which is inscribed in Black Letter script, ie. uous eme bien [I love you very much - de bon ♥ - from a good heart]. The familiar heart-symbol ♥ -- which nowadays we ‘read’ as love [I ♥ New York] -- makes its first appearance as a rebus in this late medieval era, engraved on rings, where it is to be read as the noun, coer/cuer, etc. One of its earliest appearances is on a bronze ring of 13th or 14thC date in the British Museum inscribed in Lombardic capitals: A VILA MON ♥ [Here is my heart GARDI LI MO[Y] keep it for me].

Carved naturalistically in the round as a mature male figure with short wavy hair, full beard and moustache, his brow furrowed and mouth held slightly ajar; repaired. 3.8 kg, 18 cm



Acquired in Europe before 1996. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11809-206816.

The head was carved as an image of a saint, Apostle or a prophet. The accomplished and sophisticated style of carving on this head can be compared to some of the most celebrated Romanesque buildings of Southern France. The carving of the head resembles the representations of heads and faces of 12th century French Romanesque art, for example those of Saint Trophime in Arles. This imposing head once served as an important architectural part of a lavishly decorated church, possibly in western France. Its form and the size suggest that the head was not only decorative but that it would have been structurally important – perhaps part of a row of statues of apostles and prophets like those depicted on the Saint Trophime façade.

Slender hoop with disc bezel, inset garnet cloison. 0.60 grams, 17.91 mm overall, 15.37 mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7)



From a late Japanese specialist collector, 1970-2000s.