Medieval Bronze Cross Pendant Collection

Roughly stirrup-shaped with a flat-section hoop, raised square-shaped bezel displaying a quatrefoil motif with incised zigzagging radiating from a central point into each quarter, together with incised linear ornament to the shoulders; misshapen hoop. 3.42 grams, 24.44 mm overall, 20.14 mm internal diameter (approximate size British T 1/2, USA 10, Europe 19.84, Japan 20)



Found Keyingham, East Riding of Yorkshire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report number YORYM-03DF22. Accompanied by a copy of the report on potential Treasure for H M Coroner for Yorkshire under reference no.2014 T899.

From a Lamentation scene, modelled in the round with naturalistic facial features and flowing hair; Mary depicted kneeling and wearing a long tunica talaris with short sleeves; her head downcast with sorrowful expression, lips slightly parted. 4.95 kg, 33 cm



Ex Palau Antiguitats, Barcelona, 2022. Ex central London gallery. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11748-202078.

Mary was considered the former sinner par excellence who, having abandoned the path of sinful vice, returned to original purity through the light of Christ, and accompanied Jesus until the last moments, shared the pain of his death with his mother and was witness of the Resurrection. Because of this, her appearance was often that of a simple girl, with long hair that echoed the biblical account. It was believed that through devotion and prayer to images of Mary Magdalene, the viewer might, like her, regain purity and find the same redemption that she was given by Christ.

Comprising complete and fragmentary artefacts including: lock elements; shackles; balance arms; horse bits; keys; knives; arrowheads; scythes; axeheads and musket balls, together with other miscellaneous items. 16.4 kg total, 1-39 cm



Acquired 1990s-early 2000s. East Anglian private collection.