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LOT 1808
Medieval and Later Bronze Key Collection
15TH-19TH CENTURY A.D.
1 1/4 - 3 1/4 in. (74 grams total, 31-84 mm).
Including barrel-key, casket-key and other types. [7, No Reserve]
ProvenanceFound Yorkshire, UK.
From the private collection of Robin Sykes, Yorkshire, UK, formed since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Medieval Bronze Quatrefoil Annular Brooch
14th-15th century A.D.Sold for (Inc. bp): £286
Openwork with thick borders and round-section pin; mounted on old cardboard backing. 8.4 grams, 42 mm
From an old UK, collection, 1960s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Large Medieval Bronze Ring for Oswald
10th-12th century A.D.Sold for (Inc. bp): £33
With ellipsoid bezel, legend 'OSWALD' between two rows of gammadion motifs. 5.84 grams, 24.84 mm overall, 20.61 x 17.22 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
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Medieval Limestone Gargoyle of a Smiling Horned Devil
Circa 15th century A.D.Sold for (Inc. bp): £2,210
Modelled with a threatening expression, his half-open mouth visibly contracted into an evil grin with exposed teeth, short beard to the chin and wavy locks of hair resting on the forehead with two small horns, large goat horns framing the face on both sides; mounted on a custom-made display stand. 8.4 kg total, 30.5 cm high including stand
From a collection acquired on the UK art market. Property of a West Midlands, UK, private collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the Romanesque era onwards, images of demons, often carved on the external sides of cathedrals and churches, were strongly linked to the fantastical and monstrous creatures of ancient myth and legend. For theologians, supernatural creatures which could not otherwise be explained were not of God and therefore had to be demonic: their incorporation in the ecclesiastic structures showed that their malevolent powers could be kept under control only through the protection of the church. This origin of Christian demons is likely to have influenced the visual representation in medieval culture as hybrid and monstrous, especially given the increased interest in Greek works from the twelfth century onwards in the West.
