Map of La Nouvelle Grece Selon Toutes les Regions & Provinces, in Greece by Sebastian Munster

With a deep bowl resting on a short stem and flared foot, the inner face with a central roundel, the outer face with a frieze of animals, Side A) an advancing lion with gaping jaws, a siren with its wings spread and head turned back, a grazing antelope and an advancing lion facing left, Side B) an advancing lion, a standing swan with its wings spread, a sheep(?), and another swan facing left with its wings spread. 396 grams, 28.5 cm wide



Swiss Art and Antiques Fair, Basel, 4-12 April 1987. Ex Galleria Serodine, Ascona, Switzerland. Private collection, Bern, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12639-236374. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a bulbous body and a short neck with everted rim, two strap handles with incised striations continuing in an inverted V-shape beneath the handles; on each side of the body a large double spiral flanked by five curving lines, a stylised bird above. 343 grams, 16.5 cm



Ex Fortuna, Gallery for Ancient Art (Zurich, Kirchgasse 31) Basel, 7 April 1984. Private collection, Bern, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With the arrival of the Greeks (775 B.C. at Pithekoussai, 750 B.C. at Cumae), a clear technical advancement in ceramic production was observed: impasto vessels began to show more varied patterns, were fired at higher temperatures, and were eventually replaced by wheel-made pottery in the Greek style. Despite growing populations, there remained a significant demand for this more 'old-fashioned' yet technically refined pottery. Note on the term impasto (Italian): in painting, it refers to the thick application of paint (a textured, paste-like technique). In ceramics, it refers to a thick layer of slip (a watered suspension of purified clay) applied before firing, which results in a homogenous, matte-glossy surface after firing.

A delicately crafted pendant depicting a seated Eros with spread wings, holding a small turtle with his left hand and his right hand raised, feather detailing to wings and carefully modelled face with a smiling expression; a double suspension loop underneath and a single loop above; likely from an earring. 1.41 grams, 13 mm



Solothurn exhibition catalogue 1967, no.421. Notable Swiss private scholarly collection. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12671-236392. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.