Luristan Bronze Spearhead

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ' Cylinder seal of Cornelian, 20 x 11 mm. On the right a deity is seated on a throne with a high back decorated with sparkling knobs. This deity holds an unidentified object in one hand while raising the other. Facing stands a worshiper raising the right hand with index finger extended, extending the left and with palm cupped. Between the two figures is a fire-bowl raised on a pole with fire burning in the pan. Three filling motifs serve as a terminal: the lunar crescent, a lozenge-shape, and a fish. This is a Neo-Assyrian seal in late drilled style. c. 750-600 B.C.'; supplied with a museum-quality impression. 4.11 grams, 19 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.P1. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated March 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Faience with Green Glaze, 26.5 x 12 mm. The main scene consists of a standing man, dressed in a robe that reaches his ankles, with a decorated band passing over one shoulder. His arms are held at the waist. He faces on his left a stylized sacred tree consisting of a main stem and five brances [sic] ending in buds at the top. The remaining area is filled with two registers. The lower one consists of of a guilloche consisting of three spirals. The upper register shows two, facing, recumbent horned animals, both with heads turned back, but one with raised tail, the other with tail downwards. The whole area of design is contained within a line above and another beneath. This seal is Mitanni, c. 1500-1200 B.C., and from anywhere within the area from Syria to Western Kurdistan. It reflects the Hurrian civilization of this area, and the tree is the symbol of the storm god, Hurrian Teshub, Babylonian Adad, Hebrew Hadad or Baal. The standing figure is probably meant as a worshiper. The horned animals are well known on such seals, but while they may well be symbolic, they are not understood. The guilloche is a common item of decoration for the period. Faience is a manufactured substance, comparable to the modern porcelain. In the ground it often deteriorates over the centuries and has a powdery surface. this one, however, is in fine condition and the only mark of its age is that the glaze covering its surface has lost its colour. In this fine condition such seals are rare.'; supplied with a museum-quality impression. 3.82 grams, 26 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.P32. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated September 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Plano-convex in section with a later (20th century) band of largely untranslated cuneiform style text; a skirt from a figure. 14.7 grams, 32 mm



From the 'S' collection, acquired 1970-1990s. The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.