Loading, please wait...
LOT 1102
Luristan Bronze Dagger
CIRCA 1000 B.C.
14 1/8 in. (129 grams, 36 cm).
Narrow triangular casting with gentle midrib and narrow point, scooped shoulders, long flat-section tang with lobe finial.
ProvenanceEx German collection, Cologne, 1980-1990s.
LiteratureCf. Khorasani, M.M., Arms and Armour from Iran - The Bronze Age to the End of the Qajar Period, Tübingen, 2006, p.381, cat.3, p.376, for type.
FootnotesThe type of the present dirk or dagger corresponds to type IX of Medvedskaya classification. The type consists of a bronze blade with organic handle, possibly made of bone or wood, and a long tang, which was usually bent at the extremity. According to Moorey, the exact dating of these pieces is uncertain.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Viking Iron Bearded Axehead
9th-12th century A.D.Sold for (Inc. bp): £234
Composed of a flanged and rounded butt, shaped lower edge and convex cutting edge. 688 grams, 16.2 cm
Ex American collection, acquired 1980-200. The Kusmirek Collection, UK. -
Assyrian Bronze Relief Fragment
Circa 9th century B.C.Sold for (Inc. bp): £16,900
Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand. 72 grams, 10.8 cm wide (277 grams total, 11 cm high including stand)
Ex S. Moussieff collection, London, UK. Acquired from C.J. Martin (Coins) Ltd. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203209.
Battle-scenes - and especially images where the Assyrians overrun their enemies and achieve outright victory - appear to make up a large part of 'official' art of the period. Subjecting a defeated foe to torture and death is the theme of much of the wall-decoration of the palace of Nineveh. A battle-scene depicting the siege of a walled city shows similarly equipped infantrymen; it is in the Metropolitan Museum of Art, New York, under accession no.55.121.4a, b. -
European Savoyard Burgonet
Circa 1620 A.D.Estimate: £3,500 - 4,500 (+bp*)
Opening Bid: £1,389
Comprising a full face shield with broad wavy bars and a small mouth opening, a wide hinged visor; the visor and the front section of the helmet secured by large hook-and-eye closures on the right-hand side; the crown with a tall ridge running from front to back, small collar for protecting the neck. 1.14 kg, 25 cm high
Acquired from Andrew Bennett in 2016. The Kusmirek Collection, UK. Accompanied by a copy of a payment confirmation from Andrew Bennett, dated 1st June 2016. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11768-203986.
This variation of the burgonet helmet is thought to have originated in the Savoy region of southeast France, and was very popular with heavy cavalry (Reiters) serving with a variety of Continental armies of the period. The term Savoyard is a reference to a large number of these helmets that the Swiss captured from the troops of the Duke of Savoy during an unsuccessful assault on the city of Genoa in 1602. The undulated bars and the small mouth of the visor are all indicative of the Savoyard style. The hinges on the side allowed the front of the helmet as a whole to be lifted away from the rear, aiding the wearer to place it over his head.