Loading, please wait...
LOT 0728
Late Roman Imperial Porphyry Fragment
4TH-6TH CENTURY A.D.
14 3/8 in. (9.85 kg total, 36.5 cm including stand).
Formed as a parallelepiped with round corner having a possibly later polished side and the other three sides straight and round, with signs of carving; probably from an Imperial sarcophagus or monument; mounted on a custom-made stand.
ProvenanceAcquired from the private collection of a Somerset gentleman who was related to Sir Arthur Evans.
From the private collection of a UK gentleman since before 2005.
Cf. Dumont, A., ‘Musée Sainte-Irène’ in Revue Archéologique, 1868, II, pp.236-263, p.260, mentioning two fragments of porphyry in the middle of the street, near the Mosque of Mehmet II; Mendel, G., Catalogue des sculptures grecques, romaines et byzantines, Constantinople, 1914, nos.1175 (2391) vol.III, p.419, for the fragments of an imperial sarcophagus in porphyry.
FootnotesFor the Romans, porphyry was the Imperial marble par excellence, and from Constantine the Great until the end of the 5th century, but probably also later, it was used to create sarcophagi for the emperors and members of the Imperial families. This particular stone was connected with the Imperial family because of its red colour, recalling the violet and red shades of the purple (porphyra), the precious colour assigned only to emperors and their relatives. In Constantinople, a room of the Imperial palace was called Porphýra, located on one of the palace terraces overlooking the Sea of Marmara and the Bosphorus. It was perfectly square in shape with a pyramidal ceiling and was entirely covered in purple porphyry speckled with white dots: this was the room where the empresses gave birth to the heir of the Roman Empire, called Porphyrogénnētos, meaning ‘born in the purple room’.
Porphyry was widely used for building churches in the Christian Empire, and Justinian exhausted the supplies from Egypt by building the Great Church of Hagia Sophia, where still today a great amount of this material can be seen. The impressive Imperial sarcophagi were kept in the Church of the Holy Apostles, as well as the great porphyry sarcophagus of Constantine the Great, of which only a small fragment survives today in the Archaeological Museum of Istanbul.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Roman Marble Head of a Woman
3rd-4th century A.D.Estimate: £6,000 - 8,000 (+bp*)
Opening Bid: £3,000
Carved in three-quarter view, with hair dressed in a chignon with frontal band and wavy segments; soft facial features with much detailing remaining to the proper right eye and mouth; likely a frieze fragment; mounted on an old collector's display stand with typed label 'Marble, woman's head / Egypt / C.25-100 A.D. / Cat.No. 6169'. 8.45 kg, 39 cm high
Acquired in trade from the San Franciscanum Museum, Israel, prior to 1980. with Archaeologia, pre 1983, Switzerland and Canada. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12964-242755.
The arrangement of the hair is characteristic of female portraits dating between the late Severan and Tetrarchic periods. The head, due to the treatment of the hair, finds comparisons with a female portrait in the Museo Nazionale Romano, depicting an elderly woman of the Antonine era, and with another female portrait in the same museum, dated to the third decade of the 3rd century A.D., reworked in the Tetrarchic period, and which showed a Severan so-called Nest Frisur hairstyle. The sculpture in question can therefore be dated between the full 3rd century A.D. and the first decades of the 4th century A.D. based on the hairstyle, the shape of eyes and eyebrows. -
Late Roman Glass Pendant
5th-7th century A.D.Sold for (Inc. bp): £117
Discoid with impressed motif of a lion surmounted by a crescent and pellet. 1.23 grams, 24 mm
From the private collection of the late Mr S.M., 1969-1999. -
Roman Yellow Glass Bead Necklace String
1st-4th century A.D. and laterSold for (Inc. bp): £65
Restrung designer necklace string of fusiform, oblate and other types with facetted centrepiece. 25 grams, 35.8 cm
London, UK, collection, 2000s.